Windekind: A Novel by Mark Lavine Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

A grieving husband hoping to give himself and his young son a fresh start after their loss finds himself caught between two warring criminal organizations in the wooded community he moves to in Vermont in author Mark Lavine’s “Windekind: A Novel”.

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The Synopsis

After the tragic death of his young wife, Sam Thibeau and his eight-year-old son Harry move from California to a co-housing community deep in the Vermont woods, where they hope to leave behind their painful memories and start over in an unfamiliar land of snow and maple syrup.

Just as they’re settling in, Sam comes across a series of strange clues and messages which appear to be meant just for him. The clues lead to what at first appears to be a financial windfall, but before long he finds himself caught between a Mexican cartel and a drug-running syndicate based in nearby Montreal.

Left with no other choice, he enlists the aid of Cindy Yates, a local police detective, who not only helps him begin the healing of old wounds, but also has an idea for a way out of his predicament. Together, they attempt a daring scheme to turn the tables on the cartel and free Sam and his son from its deadly reach.

Looking for peace and quiet in the Vermont countryside? You won’t find it here in this fast-paced thriller that’ll have you up late turning the pages.

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The Review

This was a captivating and engaging crime thriller. The harrowing experiences the protagonist endures and the dynamic setting were brilliant marks in which the reader could get invested immediately. The layering of the criminal activities and the mystery surrounding this commune the protagonist finds himself living in, as well as the mystery surrounding its inhabitants, made this story really come to life on the page. 

To me, the author found a really special balance of captivating character development, a rich setting, and dynamic imagery within the author’s writing that tied all of this together. The chemistry the protagonist found with Cindy and the complicated relationship he develops with her as he continues to mourn his wife’s loss yet still feels himself being pulled closer and closer to her makes for some stellar character arcs, and an emotional undercoat beneath the adrenaline-fueled crime story. The woods of Vermont have never felt more alive than in this thriller and kept drawing the reader in more and more.

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The Verdict

Driven, captivating, and engaging, author Mark Lavine’s “Windekind” is a must-read crime thriller. The narrative, character growth and interactions, and stellar setting all reminded me of the rich stories found in the Fargo film and subsequent series. The blend of small-town life and ordinary people caught in chilling crime settings and set in a small, northern town made this compelling narrative that readers will be hard-pressed to put down. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Mark Lavine is the author of four novels: Dr Prozac, ForeverChild, Victimless Crimes, and Windekind. He lives in the mountains of Vermont with his wife, daughter, and King Charles Spaniel (Luna). Luna follows him tirelessly on his many hikes and cross-country skis through the woods near his home. Luna sleeps tirelessly while Mark spends a few hours of every day working on his next book. He also loves to play classical piano, and Beethoven in particular. To get acquainted with his work, Mark recommends ForeverChild for scifi fans, and Windekind for thriller fans.

http://www.marklavine.net/

Girl Taking Over: A Lois Lane Story by Sarah Kuhn Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

A small-town teenage Lois Lane must navigate the big city and face setback after setback as she pursues her dreams of journalistic glory in author Sarah Kuhn’s “Girl Taking Over: A Lois Lane Story”.

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The Synopsis

Can Lois Lane open herself up to friendship, romance, and being vulnerable in order to get the future that’s right for her?  She might have to change her entire life plan to find out.

Ambitious small town girl Lois Lane tackles a summer in the big city with gusto, but a cavalcade of setbacks—including an annoying frenemy roommate, a beyond tedious internship at a suddenly corporatized website, and a boss who demotes her to coffee-fetching minion—threatens to derail her extremely detailed life plan. And, you know, her entire future.

When Lois uncovers a potentially explosive scandal, she must team up with the last person she’d expect to publish her own website for young women. And as Lois discovers who she really is and what she actually wants, she becomes embroiled in her own scandal that could destroy everything she’s worked so hard to create.

From beloved author, Sarah Kuhn (Shadow of the BatgirlHeroine Complex), and with expressive and lively art by Arielle Jovellanos, comes a charming YA story about the strength it takes to embrace the messiness of life.

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The Review

As a lifelong fan of Lois Lane, I loved this new take on the iconic character from DC Comics. The way the author was able to incorporate elements of DC lore and characters into the narrative without making this a typical superhero-driven story was great to see, as it allowed Lois and the cast of characters to shine in their own light. The book had a great balance of both character and narrative development, giving readers equal time to enjoy this modern take on this small corner of the DC Universe while also giving time for these characters to shine.

To me, the heart of this story rested in the retconned character development and the important themes the narrative brought to life. Lois Lane became the perfect character to voice these themes, having been a longtime icon of journalistic integrity and a voice for the truth in DC Comics. The emphasis on issues such as racism, sexism, and the complications of modern friendships in different cultures made this story flow smoothly, while the new take on Lois as an Asian-American young woman just starting out on her path to becoming a journalist allowed both her character to grow and the importance of her Asian culture to shine through in this brilliant story. Combined with the warm and creative artwork of Arielle Jovellanos made this a captivating graphic novel.

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The Verdict

Memorable, iconic, and entertaining, author Sarah Kuhn and illustrator Arielle Jovelianos’s “Girl Taking Over: A Lois Lane Story” is a must-read graphic novel of 2023 and one of my contenders for the top graphic novel of the year. The heartfelt commentary on the battle between overall acceptance in our society versus the “anti-woke” proponents and the overall message to give people the voice to speak their truth made this a captivating and thoughtful DC Comics graphic novel. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Sarah Kuhn is the author of Heroine Complex—the first in a series starring Asian American superheroines—for DAW Books. She also wrote The Ruby Equation for the comics anthology Fresh Romance and the romantic comedy novella One Con Glory, which earned praise from io9 and USA Today and is in development as a feature film. Her articles and essays on such topics as geek girl culture, comic book continuity, and Sailor Moon cosplay have appeared in Uncanny Magazine, Apex Magazine, AngryAsianMan.com, IGN.com, Back Stage, The Hollywood Reporter, StarTrek.com, Creative Screenwriting, and the Hugo-nominated anthology Chicks Dig Comics. In 2011, she was selected as a finalist for the CAPE (Coalition of Asian Pacifics in Entertainment) New Writers Award.

http://www.heroinecomplex.com/

Arielle Jovellanos is a Filipina-American illustrator, writer & comic artist who specializes in narrative illustrations with an eye for character interaction and cute clothing. Her most recent projects include Black Star, an original sci-fi graphic novel written by Eric Anthony Glover for Abrams Megascope, and Evil Thing: A Villains Graphic Novel (Disney-Hyperion) adapted from Serena Valentino’s bestselling Cruella De Vil novel. Her work has also been featured in the Eisner & Harvey nominated anthology Fresh Romance and in magazines, comics, books, and branded social media campaigns. She is currently adjunct faculty in the illustration department at the Fashion Institute of Technology.

https://www.arielle-jovellanos.com/

Interview with Author Zeb Beck

Tell us a little bit about yourself. How did you get into writing?

I did a lot of writing in college and graduate school as a student of history. I learned the basics there of how to make a point and how to strengthen a sentence and paragraph. I also took a couple creative writing courses but didn’t learn the kinds of things I needed to create a story. I really learned how to write a story by re-reading many times over a handful of treasured novels: Pride and Prejudice, Great Expectations, McTeague, The Great Gatsby, and The Catcher in the Rye were all fundamental to my understanding of character and how to develop a good plot. Once I had a story in mind — that is, a beginning, middle, and ending somewhat outlined in my head — I was ready to get to work.

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What inspired you to write your book?

I traveled extensively throughout Mexico when I was younger. In my twenties, I used to go down to Tijuana to buy and consume hard drugs. Those substances were acquired in the same neighborhoods where women worked the streets. I got to know a few of them as friends and – surprise, surprise — came to discover they were real people with wit, intelligence, problems, and dreams like the rest of us. I should clarify, I have not done a single drug in many years so please don’t misconstrue my answer.

What theme or message do you hope readers will take away from your book?

I think that’s a question best unanswered, at least by an author. There are obvious themes of class, work,  and the burdens the universe sets up for us to overcome as we pursue goals, but I think I should leave it at that. 

What drew you into this particular genre?

I have felt strongly that there is not enough literary fiction for men out there. I hope that isn’t taken as a controversial statement. I don’t mean it as one. There’s a reason 85% of book buyers are women; the market is set up to satisfy women readers. Unless a regular guy is into nonfiction, science fiction, thrillers, or fantasy, there aren’t too many places to turn. My hope is that there’s an untapped niche for humorous literary fiction, the kind of stuff Exley wrote, that Fante and Bukowski wrote. The Lecturer’s Tale comes to mind, something that goes a bit beyond wacky Florida murder mysteries. English, August by Upamanyu Chatterjee is a wonderful example of the kind of novel I wish there were more of.

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If you could sit down with any character in your book, what would you ask them and why?

I like the question. To me, Ava is the most interesting character in the book. I think I might ask her, as brilliant as she is, what made her drop out of college and turn to sex work. I have an idea what she might say, but I’m not sure. 

What social media site has been the most helpful in developing your readership?

I’m not sure; I’m still developing my readership. I’m going to be posting some stuff on Instagram in the next couple months. 

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What advice would you give to aspiring or just starting authors out there?

Come up with a story and keep it moving. We have enough novels exploring characters’ feelings about an early and traumatizing past experience. Be careful to include the odd detail. The odd detail is what makes writing believable. Camus was a master of the odd detail. Finally, I would say resist the advice of those authors who have made a fortune churning out multiple books each year. I’m sure there’s money in that, but there’s money in sex work, too. 

What does the future hold in store for you? Any new books/projects on the horizon?

I’m outlining a book in my head. I think it will overlap YA and psychological thriller. There will be laughs, too, be sure of that. Give me a few years to make it good.

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About the Author

Zeb Beck lives in Los Angeles with his lovely wife and difficult pets. He likes and dislikes the same things you do.

Interview with Author Greta Uehling

Greta Uehling, tell us a little bit about yourself. How did you get into writing?

As a young person, I was more drawn to paint brushes than pens. In college, however, I was lucky to have superb mentors who encouraged me find my own voice. I began to experience writing as a form of creativity that was both enjoyable and empowering. 

I first became interested in eastern Europe through language and literature courses I took as an undergraduate. I was captivated by universal themes like love, loss, loyalty, and betrayal as seen through eastern European lenses. Those courses inspired me to participate in an exchange program in Ukraine, where I lived with a family and attended classes at the local university.  

My experience in Ukraine opened my eyes to myriad themes that are relevant today including the differing interpretations of national history, the importance of a national language, and the damaging effects of human rights violations. 

Since then, I have traveled and lived in eastern Europe and Central Asia extensively. I have gathered material in Uzbekistan, Kazakhstan, Tajikistan, and Russia, Moldova and other countries. 

Throughout my work, I have benefited enormously from the warmth, care, and support that people extended. That, too, kept me writing. In fact, Everyday War would not have been possible without Ukrainians’ willingness to speak with me about the difficult topic of war. For me, the publication of this book with Cornell University Press is accompanied by gratitude toward the many people who shared their thoughts and lives with me. It is a privilege – and a responsibility – to bring their stories to readers. 

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What inspired you to write your book?

I was inspired to write Everyday War by my experiences living and working in Ukraine. Interviews with people all across that country between 2015 and 2017 revealed civilians were engaging with the war in very conscious and creative ways. What struck me the most in that first phase of the war was that one of people’s greatest concerns was how friend and family relationships were being adversely affected by the war. 

My research showed that in addition to the humanitarian crisis brought about by Russian aggression against Ukraine, there is a relational crisis characterized by families and friendships acquiring their own fault lines. This is important because as I describe in the book, personal relationships are usually treated as backdrops or tangents for the “real” action. The book illustrates that when kinship becomes “tactical,” to use my term from the book, it matters. 

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What theme or message do you hope readers will take away from your book?

Many readers will have heard about Ukrainian resilience in the face of Russian aggression. Everyday War: The Conflict over Donbas Ukraine unpacks the significance of this resilience as well as its limitations. The stories I tell in the book demonstrate, among other things, how the time-honored distinction between combatants and non-combatants is being eroded. What readers may be less likely to hear in the news is the tremendous cost of this resilience. I explain this in the book through personal stories that vividly dramatize the normalization of violence. 

In short, I hope readers will take away a greater appreciation the significance of civilians during war. 


What drew you into this particular genre?

I grew up in a very diverse neighborhood in Madison, Wisconsin near the University of Wisconsin where my father worked. Students from all over the world sat next to me at school, became my friends, and invited me to their homes. I think that experience primed me for later travel and fieldwork because I began to feel increasingly at home away from home. 

Travel experiences became the basis of a career as a cultural anthropologist when I discovered I could have a profession centered in listening to peoples’ stories and learning about the world experientially. Perhaps a helpful way to think about what cultural anthropologists do is that they practice the art of stepping inside other peoples’ worlds to experience them from within.

What social media site has been the most helpful in developing your readership?

Well, I am still in the early days of promoting the book and my preference is subject to change. Recently, I’ve been most effective on Twitter. If readers want to find me there, the correct handle is @uehlingumiched1. My tweets on book-related events and also humanitarian and human rights news have garnered positive responses. In the future, I hope to reach a larger audience on Instagram. If readers are interested in following me there, they can find me at greta.uehling. 

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What advice would you give to aspiring or just starting authors out there?

Aspiring writers will likely already have learned that it is a good practice to write every day. I agree and there are so many ways to make writing a habit, from journaling to sharing “morning pages,” and participating in writers’ groups. Advice aspiring writers may not have heard is to think about writing as a physical activity in addition to a cerebral one. My best strategy for easing the mental gridlock that can set in with long hours at a computer is to walk, run, or cycle. Fresh ideas then come easily, providing solutions to writing problems that are harder to resolve behind a desk. A related strategy is to try pen and paper. Our brains are connected to our hands and there is abundant scientific evidence that shows the benefits of writing by hand. Far from slow or primitive, writing by hand can unlock thinking. 

What does the future hold in store for you? Any new books/projects on the horizon? 

Yes, and thank you for asking. I’m working on a book manuscript about what it means to be indigenous in Ukraine. Like my current book, Everyday War, my forthcoming book will have significance beyond Ukraine. A major theme in this work is the importance of political recognition for indigenous rights, and how humanitarian “politics of pity” aren’t enough to truly advance indigenous interests. I’ve been especially inspired by the writing of indigenous scholars in Canada during this project. I’m looking forward to the future publication of the manuscript because I have greatly enjoyed connecting with the readers of Everyday War. I can’t wait to share my next book with readers when its ready!

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About the Author

Greta Uehling began her career by working directly with refugees, helping them find work in the United States. Her experiences in refugee resettlement motivated her to pursue a PhD in cultural anthropology, and have informed her career ever since.

After earning her PhD, she became a consultant with the UN refugee agency (UNHCR) in Geneva, Switzerland, working in the Evaluation and Policy Analysis Unit. Her work on irregular migration there led to another migration-related position as a Family Reunification Coordinator for minors smuggled across United States borders from Latin America and China, in Washington, DC.

Named after the globe-trotting Swedish actress Greta Garbo, she has traveled and worked in many regions. Her interviewees have often remarked about the rapport they feel during conversations. Her colleagues in anthropology note how this rapport, and Uehling’s writing, centers previously unheard voices.

With her current project, Uehling sought to tell the story of internal displacement in Ukraine in a way that is multivocal. She uses the language of lived experience to take readers on a journey through Ukraine that deepens understanding and solidarity.

Uehling dedicated Everyday War to her students because they inspire her to write with their many and insightful questions.

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Book Spotlight: Surrender by Lee Schneider

Synopsis from Amazon:

It is 2050. Kat Keeper, grieving the death of her husband, hires a young artificial intelligence savant to recreate her beloved partner in software form.

A rising startup founder brought low by a crushing business failure, Kat is drawn into a love triangle with the artificial mind of her husband and the man who created it. She learns that the software savant, Bradley Power, leads a mysterious tech company planning to capture all human thought without consent. The company will use the stolen, unspoken thoughts of humans to train a machine intelligence to control the weather, all technology and learning, and even human will.

Kat knows she must stop this, but doesn’t know how. She is pursued by a secret circle of women who say they have the answer, and want her to lead them.

With the fate of human thought in the balance, and her safety at risk, Kat must choose to lead the secret circle before it is too late, and humanity is under machine control.

Surrender takes place in a future world that struggles to contain climate disaster using global machine governance, a world run by computers and the humans who are both empowered and controlled by them, and where a small band of resisters fight to keep human thought safe and free.

https://amzn.to/3zJulu1

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About the Author


Lee Schneider is the author of screenplays, teleplays, stage plays, short stories, and audio drama podcasts. His thirty-year career in media includes podcast production, documentaries and series with History Channel, Discovery, Court TV, Food Network, Travel Channel, TLC, Dateline NBC and Good Morning America

The founder of Red Cup Agency, a podcast production agency, and an adjunct lecturer on the faculty of the USC School of Architecture, he is also the author of five non-fiction books. Surrender is his first published novel. He lives in Santa Monica, CA with his family. 

Visit Lee at his website, and on TwitterInstagram, and Mastodon.

Book Spotlight: The Golden Manuscripts: A Novel (Between Two Worlds Book 6) by Evy Journey

Synopsis (from Amazon):

Clarissa Martinez, a biracial young woman, has lived in seven different countries by the time she turns twenty. She thinks it’s time to settle in a place she could call home. But where?

She joins a quest for the provenance of stolen illuminated manuscripts, a medieval art form that languished with the fifteenth century invention of the printing press. For her, these ancient manuscripts elicit cherished memories of children’s picture books her mother read to her, nourishing a passion for art.

Though immersed in art, she’s naïve about life. She’s disheartened and disillusioned by the machinations the quest reveals of an esoteric, sometimes unscrupulous art world. What compels individuals to steal artworks, and conquerors to plunder them from the vanquished? Why do collectors buy artworks for hundreds of millions of dollars? Who decides the value of an art piece and how?

And she wonders—will this quest reward her with a sense of belonging, a sense of home?

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Author Bio:

Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse. 

Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces. 

Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time. 

Website: https://evyjourney.net

Facebook: https://www.facebook.com/ejourneywriter/

Instagram: https://www.instagram.com/eveonalimb2/

Amazon: https://amzn.to/3zQUFT4

Goodreads: https://www.goodreads.com/book/show/123271846-the-golden-manuscripts

The Lucky Starman (A Leif the Lucky Novel) by Colin Alexander Blog Tour (Q&A Bonus)

Q. Who did your cover and what was the design process like?

Alejandro Colucci did the cover for The Lucky Starman.  This is the third of my books that he has created the cover art for—three in a row—and they have all been phenomenal.  On the previous one, I actually received a comment asking if it was available as a poster and I have never had anything close to that happen before.  For The Lucky Starman, we wanted to maintain the motif of the space-suited hand from the first two books.  We also wanted to include something unique to this book.  Based on some of the themes in the story, Alejandro designed the cover you see, which evokes the old line from Shakespeare, “Alas, poor Yorick . . .”  I think the cognitive dissonance between the title and the image is perfect.  When you read the book, I hope you’ll agree.

Q. What was the hardest part of writing this book?

The Lucky Starman is the third book in a series that stretches across close to two centuries of Earth time, two different stages of “near future” Earth technology followed by a postapocalyptic setting, and two starflights with the attendant effects of relativity.  In addition, the three books form a continuous story, the events of one follow immediately after the conclusion of the preceding book.

In this situation, I found the most difficult aspect of writing the third book was maintaining consistency with the first two and keeping the timeline feasible across all three.  For example, people in Leif’s twenty-first century usually have an implanted chip that interfaces with their phone and with other networks.  Since this is obviously made-up technology (although perhaps not that far off!), I had to make sure that I kept the capabilities of the technology consistent across books.  In the first book, there is a scene, after Leif receives a new, upgraded chip on his return from the first starflight, where he angrily deletes a lot of annoying apps that came with it.  In The Lucky Starman, he needs to have certain apps available, so I had to be sure there was a reason he still had them.  Similarly, the books include multiple events with dates in a period from 2055 (when Leif enlists) to 2252 (the conclusion of The Lucky Starman.)  Not only do the dates need to match across books, but the time between the events needs to work.  At one point in the drafts, when I looked at the story prior to a starflight and then events occurring after the flight, I realized that it was implying the ship had gone faster than light.  Needless to say, adjustments to the draft were needed.

The near-constant back and forth checking on these proved to be the hardest part of the writing.

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The Lucky Starman - Colin Alexander

Colin Alexander has a new post-apocalyptic sci-fi book out, Leif the Lucky book 3: The Lucky Starman.

Is Leif really lucky? Stranded in orbit, viewing a destroyed civilization on Earth through the screens of a starship almost out of fuel and food, he doesn’t feel that way.

It wasn’t supposed to be like that.

As the starship Dauntless returns from a successful mission to the planet called Heaven, Earth holds no attractions for Exoplanetary Scout Leif Grettison. He wants only to complete the mission and leave for another star, along with ace pilot Yang Yong. In fact, he would be happy spending the rest of his life flying the starways with her.

But they and the rest of the ship’s skeleton crew awaken from hibernation to find Earth’s solar system dark and silent—no signals, no responses to their transmissions. When they make orbit, the magnitude of the disaster becomes clear: An apocalyptic war has killed billions and destroyed every last source of power and tech that 22nd-Century humans relied on to survive.

Getting down to Earth is only the beginning of Leif’s problems. Those few who survived the apocalypse are still divided, fighting over what’s left. The disastrous re-entry to Earth leaves him with no resources or allies. He lands in the middle of a makeshift family that needs him more than he’s comfortable with and hears stories—even nursery rhymes—that speak of a lucky starman. For once, he’s the only person with tech—but if he’s caught using it, they might kill him.

Can a man back from the stars end the warfare on Earth, or will he make it worse? Can he save a family that might become his? Is he everyone’s lucky starman?

Warnings: Combat situations (one-on-one and armies), named characters die

About the Series:

These are the adventures of Leif, who some have called the Lucky. They begin in the year 2069, when humanity’s last chance for peace is the first ever interstellar mission. However, when you believe you have thought of everything, the universe has a way of showing that you haven’t.

What do you do when it goes wrong, when you can’t call for help, and when adventure leads to deaths? If you survive one journey, what do you do next?

Get It On Amazon | Goodreads


Excerpt

The Lucky Starman - Colin Alexander

“Leif, we have a problem.”

I heard Charley’s voice as if from a great distance. The post-hib blur was a dense fog in my mind. I recognized the words but could not grasp their meaning. In my defense, I hadn’t even sat up in the hibernation unit yet; its bath was still draining.

I wrenched off the mask and cannula and removed the port from my arm. Then I sat up with a profound groan. Nearly four and a half years’ hibernating did more than blur the brain. Every muscle was stiff. I was surprised my joints didn’t squeak. Multiyear hib did not get better with repetition. I blinked and tried to bring Charley’s face into focus. Dr. Charles Osborne, I told myself. Our ship’s physician. He was supposed to be with me when I came out of hib. He had dark brown skin on a kindly round face, short black hair, and a closely cropped beard.

“Leif, we have a problem,” he repeated. “Yang needs you on the bridge.”

Why did there always have to be a problem? Why couldn’t someone say, Leif, life is great, and the world is beautiful. Why don’t you come share it? But, no, that’s not the way my life goes.

I groaned again and managed to say, “What?”

Charley shook his head. “I don’t know. Look, I’m sorry I didn’t get your equipment off first. I’m, I don’t know, worried. Here’s your OJ. Yang asked you to skip the gym. She really wants you on the bridge as soon as you can get there.”

That bit penetrated the blur. Yong had woken me early on the flight to High Noon, the very first starshot, when the ship’s computer tried to abort the mission after a hib failure. What was it this time?

I downed the orange juice with sugar in one fast chug. Having come out of four previous multiyear hib stretches on starflights, I had learned that the best way to return to the status of a functional human was to follow a carefully escalating workout routine in the gym. It felt awful while I was doing it, but it worked. There would be a good reason if Yang Yong wanted me to skip it. And the good reason would be something bad. Count on it.

I blinked again. “Can I at least get dressed and grab a couple of protein bars from the caf?” I did manage to get the croak out of my voice.

“I’m sure,” Charley said. “Just grab ’em and go to the bridge.”

“I’m on it,” I said. “Where’s the famous laxative pack?”

Charley had that in his other hand. The constipation from hib on an interstellar flight would not, in fact, kill you, but there were times I wished it would.

Once Charley left, I pulled myself out of the unit and stood up, shivering. My muscles shook trying to hold me upright. At least I’d done this often enough to know what would hurt most and how to manage it. The biggest problem was the knee that had been surgically rebuilt after I was wounded on Mindanao back in 2062. That was why I had left the Rangers and the service, and with each long hib, it got harder and harder to return it to normal.

No help for that. I settled for cursing long and loud while I toweled off. Then I pulled on the ship’s polo shirt with its NASA emblem over the left breast and my name, Grettison, embroidered below it. The starshot emblem of a gloved hand clutching a star above STARSHOT xv was stitched over the right breast. Ship pants, ankle socks, and ship boots completed the outfit. We were obviously decelerating at one gee because my weight felt normal, so I didn’t need the SureGrip soles for the StickStrips on the deck.

I pulled open the privacy screen around my unit and stepped out onto the hib deck. All the other units I could see were off. My adrenals squeezed immediately and I felt a sense of panic. Then my mind pulled its memories through the post-hib blur. Of course nearly all the units were empty and off. We had put the colonists down on the planet called Heaven, meaning only seven of us were on the Dauntless for the return to Earth.

I did a set of breathing exercises and got my heart rate and blood pressure under control. It wouldn’t do for me to have a stroke before I heard Yong’s problem. Maybe afterward, if it was bad enough.

With my legs wobbling under me, I took the lift to the deck where the caf was and grabbed energy bars. I took the time to eat one of them and chug another sugared orange juice. I needed to get to the bridge, but I also needed to not fall on my face when I got there.

When I entered the bridge, two energy bars swallowed and two more in my pocket, one of the chairs swiveled around. Yang Yong, pilot-in-command of the Dauntless, stood to greet me. She was a petite and slender woman with high cheekbones and brown hair cropped as short as mine. Small, yes, but there was nothing soft or delicate about her. She’d been a crack attack plane pilot for China’s People’s Liberation Army Air Force during the Troubles, which meant we had been on opposite sides of the fighting. Opposite sides, hell. She had damn near killed me on Mindanao when she bombed my platoon’s position the day the world almost ended.

Fortunately, our relationship had evolved from there. We were now two sides of the same coin and had decided to spend our lives flying through the universe together. It’s not that either one of us ever used the L‑word, but we knew what we meant to each other.

She did not smile at me. She did not even give me her tight little grin. I knew her well enough to tell that she was tense, though no one else would see any difference in the way she held herself.

If Yang Yong was tense, something was very, very wrong.

“What’s the problem?” I asked.

“I don’t know. We are not receiving anything.”

“Nothing?” I tried to wrap my mind around that and let my hand drop from the pocket with the energy bars. They could wait.

“Nothing,” she repeated. “We are inside the orbit of Pluto, and there is no signal from the International Space Commission. I have sent transmissions to Earthbase, NASA, and CNSA. We have received no response, and enough time has elapsed for a reply to reach us. Before you ask, I have checked over our equipment. It is fine. The solar system is silent.”


Author Bio

Colin Alexander

Colin Alexander is a writer of science fiction and fantasy. Actually, Colin Alexander is the pseudonym for Alton Kremer, maybe his alter ego, or who he would have been if he hadn’t been a physician and biochemist and had a career as a medical researcher. His most recent book, The Lucky Starman, is his ninth and the third of the Leif the Lucky novels. Colin is an active member of the Science Fiction and Fantasy Writers Association, Mystery Writers of America, and the Maine Writers & Publishers Alliance. Away from writing fiction, his idea of relaxation is martial arts (taekwondo and minna jiu jitsu). He lives in Maine with his wife.

Author Website: https://www.afictionado.com

Author Facebook (Author Page): https://www.facebook.com/ColinAlexanderAuthor

Author Goodreads: https://www.goodreads.com/colinalexander

Author Amazon: https://www.amazon.com/author/colinalexander

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If the Sky Won’t Have Me by Anne Leigh Parrish Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

Author Anne Leigh Parrish follows up on her acclaimed debut poetry collection with a sequel that delves into what it means to be alive in this complex world of ours in the book “If the Sky Won’t Have Me”. 

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The Synopsis

The poems in If The Sky Won’t Have Me weave a brilliant tapestry of the human condition, focusing on nature, the female experience, family drama, aging, politics, and regret. Images of water feature strongly, as do rebirth and regeneration, both physical and spiritual. A perfect sequel to the author’s debut collection, the moon won’t be dared, these poems expand and deepen our understanding of what it means to be alive in a complex world.

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The Review

This was the perfect collection of poems and simple yet empowering artwork. The author does an incredible job of capturing the imagination and the emotion that poems are meant to evoke, and the way each poem is able to really impact the author in a specific way allowed the song-like quality of each poem’s structure to really become melodic in nature.

To me, the heart of the book rested in the reliance on nature and morality as both conversation starters and imagery. The emotion and sparks of insight that each of these poems stirs within the reader help to elevate the almost narrative approach to the poems themselves. For instance, my favorite poem in this collection for me was “Like a Shade of Dawn”, and the way this spoke to me about the desire for change, for leaving behind the past and embracing the coming of the dawn was powerfully felt and utilized the nature motif expertly.

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The Verdict

Moving, passionately written, and engaging, author Anne Leigh Parrish’s “If the Sky Won’t Have Me” is a must-read poetry collection. The heart and thoughtfulness of each poem will speak to the quiet yet contemplative voice within us all, the empowering way the book speaks to women in particular, and the need to look at how people embrace life in this modern world of ours through the use of nature and morality will really stay with the reader long after the book ends. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Anne Leigh Parrish is the author of nine previously published books: A Winter Night (Unsolicited Press 2021); What Nell Dreams, a novella & stories (Unsolicited Press, 2020); Maggie’s Ruse, a novel, (Unsolicited Press, 2017); The Amendment, a novel (Unsolicited Press, 2017); Women Within, a novel (Black Rose Writing, 2017); By the Wayside, stories (Unsolicited Press, 2017); What Is Found, What Is Lost, a novel (She Writes Press, 2014); Our Love Could Light The World, stories (She Writes Press, 2013); and All The Roads That Lead From Home, stories (Press 53, 2011). Visit her website.

L. Ron Hubbard Presents Writers of the Future Volume 39 Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

The best and brightest voices in the world of sci-fi and fantasy are chosen by a large panel of authors for the 39th volume of the official “L. Ron Hubbard Presents Writers of the Future” magazine.

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The Synopsis

In the world of speculative fiction…

Your favorite authors…

Have selected the best new voices of the year.

24 Award-winning Authors and Illustrators

3 Bonus Short Stories by Kevin J. Anderson • L. Ron Hubbard • S. M. Stirling

Art and Writing Tips by Lazarus Chernik • L. Ron Hubbard • Kristine Kathryn Rusch

Edited by Dean Wesley Smith • Jody Lynn Nye

16-page color gallery of artwork • Cover art by Tom Wood

Check out the stories Brandon Sanderson, Orson Scott Card, Nnedi Okorafor, Robert J. Sawyer, Kevin J. Anderson, Jody Lynn Nye and others chose as the best of the best.

Be amazed. Be amused. Be transported … by stories that take you by surprise and take you further and deeper into new worlds and new ideas than you’ve ever gone before….

Twelve captivating tales from the most exciting new voices in science fiction and fantasy accompanied by three from masters of the genre.

A miracle? An omen? Or something else? One day, they arrived in droves—the foxes of the desert, the field, the imagination….—“Kitsune” by Devon Bohm

When a vampire, a dragon and a shape-shifting Chihuahua meet on a beach in Key West, fireworks go off! But that’s just the background. —“Moonlight and Funk” by Marianne Xenos

Dan Shamble, Zombie P.I., faces one of his funniest and most perplexing cases ever—an enlightened ogre, a salamander with low self-esteem, and a raging fire dragon terrorizing the Unnatural Quarter! —“Fire in the Hole” by Kevin J. Anderson

The Grim Reaper, trapped in an IRS agent’s dying body, must regain his powers before he dies and faces judgment for his original sin. —“Death and the Taxman” by David Hankins

In a metaverse future, a woman who exposes falseness in others must decide what is real to her—the love she lost or the love she may have found. —“Under My Cypresses” by Jason Palmatier

Vic Harden wasn’t lured by glory on a daring mission into the reaches of outer space—he was ordered out there by his editor.—“The Unwilling Hero” by L. Ron Hubbard

Dangerous opportunities present themselves when an alien ship arrives in the solar system seeking repairs. —“White Elephant” by David K. Henrickson

With her spaceship at the wrong end of a pirate’s guns, a former war hero must face down her enemies and demons to save Earth’s last best chance for peace. —“Piracy for Beginners” by J. R. Johnson

Years after the Second Holocaust, the last surviving Jews on earth attempt to rewrite the past. —“A Trickle in History” by Elaine Midcoh

When I said I’d do anything to pay off my debts and get back home to Earth, I didn’t mean survey a derelict spaceship at the edge of the solar system—but here I am. —“The Withering Sky” by Arthur H. Manner

High-powered telescopes bring galactic life to our TVs, and network tuner Hank Enos figures he’s seen everything—until the day an alien boy stares back. —“The Fall of Crodendra M.” by T. J. Knight

Knights, damsels and dragons, curses and fates foretold—the stuff of legends and stories, but unexpectedly perverse.—“Constant Never” by S. M. Stirling

Determined to save his wife, Tumelo takes an unlikely client through South Africa’s ruins to the heart of the Desolation—a journey that will cost or save everything. —“The Children of Desolation” by Spencer Sekulin

When a terrorist smuggles a nuclear weapon into London, a team regresses in time to AD 1093 to assassinate a knight on the battlefield, thereby eliminating the terrorist a millennia before his birth. —“Timelines and Bloodlines” by L. H. Davis

The Grand Exam, a gateway to power for one, likely death for all others—its entrants include ambitious nobles, desperate peasants, and Quiet Gate, an old woman with nothing left to lose. —“The Last History” by Samuel Parr

You will love this collection of the best new voices because, as Locus magazine puts it, “Excellent writing…extremely varied. There’s a lot of hot new talent.”

Get it now.

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The Review

This collection of stories was a wonderful reminder of how much talent resides within the sci-fi and fantasy community. The balance within this magazine of new stories and breathtaking artwork made this a compelling collection to get lost in. Each of these authors was able to draw the reader into their individual worlds and showcase the creativity and direction this collection began to bring together.

To me, the biggest draw of this book was the way the authors and even illustrators were able to bring such grounded and relatable protagonists to each story while also providing a believable yet fantastic fiction world to submerge ourselves into. The imagery and the atmosphere combined allowed the reader to bring these powerful stories to life in their mind, each story feeling like a cinematic display waiting to come to life in some Hulu-driven sci-fi and fantasy anthology series. 

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The Verdict

Memorable, captivating, and engaging, “L. Ron Hubbard Presents Writers of the Future Volume 39” is a must-read issue of the acclaimed authority on all things sci-fi and fantasy. Although some attention is paid to the magazine’s namesake and despite my personal feelings on the man, the authors do a wonderful job of finding their own unique voice within their stories and providing readers a great balance of escapism and running commentary on the world around us that will delight and excite fans of the genre completely. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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