Tell us a little bit about yourself. How did you get into writing?
LEE: When we started this project I was a professor, and so writing was a part of my daily life. In my art practice I almost always incorporate stories or ethnographic interviews, so connecting other people’s writing to my images felt natural.
ANDREW: Writing thousands of pages of session notes as a psychotherapist made writing second nature. But more than that, learning about active listening and practicing compassion in every session helped me grow as an editor. Throughout the process of editing “O! Relentless Death!”, I found the courage to ask risky questions, to listen deeply, and to stay focused on the heart of a written piece rather than its style—because I’d practiced interacting from those perspectives in thousands of counseling sessions.
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2) What inspired you to write your book?
ANDREW:
Lee and I began collaborating in 2015. We gave each other “assignments.” I’d returned to making stuff just a couple years before that time; Lee had been making stuff for years and years, but was interested in stretching her creative practice with unfamiliar media. Partly, the “assignments” were just fun; and partly, they were a chance to apply some good old-fashioned psychological leverage to our individual processes. And they also made for more communication between us, which we both wanted.
So when we realized in mid-2016 that we’d both been doing art-things about the landslide of celebrity deaths that were starting to accumulate at that point, we already had an established channel for communication and collaboration in place. We chose linocut as the medium, because like our “assignments,” it was a medium neither of us felt accomplished in. We were forced to figure out ways to adapt what could be a sprawling process to little plates. That, and we’d both made linocuts with our mother, a lifelong printmaker.
After the 2016 election, the project became clear: there was a parallel between the losses of cultural heroes like Gwen Ifill and, as Progressives, the loss of the election. To us it felt like something died that day.
LEE:
Our collaboration became a way to grieve together, with each other as brother and sister, and as artists/editors with the writers who participated in the project. It felt like sharing our grief was a way to create community.
3) What theme or message do you hope readers will take away from your book?
ANDREW:
While cultural heroes like George Michael and Gwen Ifill are larger than life within the context of global media, they are also containers for enormously powerful cultural forces. They deserve respect for their achievements, certainly, and we mourn their losses.
LEE:
But they also are entry points for people’s experiences. We feel a connection to celebrities, even though we’ve usually never met them, because of the role they play in out lives. I hope that readers will identify with the writers’ reflections of their experiences with celebrities, and see some of their lives reflected in the words and images in the book.
4) What drew you into this particular genre?
LEE:
Portraits are both direct and interpretive. The relief prints show our understanding of the specific celebrities, as well as recognizable image, just as the writing show the individual author’s experiences as well as something we can all recognize. I really love working with other artists on projects as it can be energizing to play off of each others’ ideas, so this collaboration with my brother and the writers was a natural extension of what I’ve done before.
ANDREW:
Art. A deep and abiding love of picture book genres like illustrated children’s books, comics, and old encyclopedias. The grounded understanding that as artists, this book was something we could do that would literally draw real emotional connections between us and our readers, and that that is a powerful political act.
5) What was the one story or celebrity that you identified with the most in this book?
ANDREW:
George Michael. I hated Wham at the time, and didn’t think much of his work as it progressed through the 80s and 90s. And to be honest, I still don’t think he was a great artist, compared to luminaries like Prince. But learning about him in 2016-17, and then making an image of him, I found myself weeping for what he went through, what he carried for all of us. He was outed during a period of intense upheaval and change, and suffered for it. He was forced to be a figurehead for a movement he seemed to have been ambivalent about. And all in public, at the receiving end of a firehose of cultural venom no one, no one EVER, deserved.
LEE:
For me it was Prince, who was a big part of my early adulthood. I listened to his music in high school and college, which for me (and many people) was a time when I really figured out myself as a person. So listening to his music is nostalgic on a lot of levels for me. This also made his portrait the hardest for me to make. Which Prince did I want to show? Could my portrait really capture everything I felt about him? I think I made 3 or 4 images before I settled on the one that made it to the book.
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6) What social media site has been the most helpful in developing your readership?
LEE:
Facebook was where we connected with a lot of potential writers, showed people work in progress, and then launched the Kickstarter campaign that funded printing of the book. We use both Kickstarter and Facebook to keep in touch with our readership, and dabble in Instagram.
ANDREW:
Kickstarter, if we’re going to be really literal about a social media platform. Then, at last, after everything else that we personally did with our own strategy and planning, it’d be Facebook.
7) What advice would you give to aspiring or just starting authors out there?
LEE:
The old saying of 99% perspiration and 1% inspiration is so true. I used to tell my students that they had to make at least 10 bad things before they had the 1 good thing. You have to keep making, keep revising, and keep getting feedback. It can be a relentless process, being creative, but only by continuing even when it feels like you’re making crap can you push through to the good stuff.
ANDREW:
Keep tinkering with your daily creative practice, whatever it may be. Every time you do it, you’re doing IT—the big thing, the masterwork, the whole enchilada. Whatever it is for you, you’re going to do it one TRILLION BILLION times. May your moments of inspiration become as common, and as miraculous, as breathing.
8) What does the future hold in store for you? Any new books/projects on the horizon?
ANDREW:
I’m focusing on building my practice and business as a muralist in Albuquerque, NM, where I live.
LEE:
I’m working on a book about animal adaptations to human behavior and encroachment. The book is modeled after a field guide, but is really a series of stories paired with images just like our last book. The stories range from the absurd, like crocodiles in Florida using pool noodles as floatation devices or mountain goats in Olympic National Park becoming addicted to hikers’ urine, to the disturbing and profoundly sad, like wildebeests in Botswana no longer migrating because of fenced off ranch land or cane toads taking over the Australian landscape and forcing out native fauna. My hope is that readers will laugh but also think about what we as humans are doing to the animals we share our world with. The book comes out this spring. If anyone is interested in learning more, follow our Facebook page “Fearnside and Fearnside” or our Kickstarter, “Lee and Andrew Fearnside.”
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A bold new plan to help curb carbon emissions and still generate a healthy income to improve the economy takes shape in author Robert Stayton’s book “Solar Dividends: How Solar Energy Can Generate a Basic Income For Everyone On Earth”.
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The Synopsis
Imagine a world where poverty has been eliminated and global warming has been brought under control.
Imagine this can be done via a single program. Imagine that we can start on this today.
That’s the world envisioned by Solar Dividends, which puts forth a bold new plan—use solar energy to pay for unconditional basic incomes for everyone on the planet.
The idea is simple: we set up solar panels for each person, sell the electricity the panels generate, and deliver the money as solar dividends to the person as their basic income, for the rest of their life.
This program won’t require tax money because the solar panels pay for themselves through the money they earn by generating electricity. The money won’t run out because the panels are maintained and replaced as needed. And we don’t have to wait for an international treaty because every country receives enough raw solar energy to set up their own program.
Solar energy gives us a new way to pay for basic incomes, and basic incomes give us a new reason to build solar energy. Combining these two big ideas will lift everyone out of economic insecurity, reduce the carbon emissions that drive climate change, and assemble a clean energy system that can sustain us indefinitely into the future—all with one program. Solar Dividends makes clear the practical steps to bring about this positive future.
The Review
As we head into the new year and the question of climate change and energy as a whole is still a contentious topic, author Robert Stayton’s book is a refreshing, straightforward and unique read that brings a fresh and honest view on the subject. Readers will find a bold, easy to follow yet difficult to implement plan that would bolster the economy and energy fields without the negative impact on the environment as a whole.
One thing the author clearly defines is that while the plan he lays out is clear cut and showcases a straightforward path to solar energy and a boom to the economy as a whole, the difficulty of the plan running up against political pressure and the laws as they exist now not only in the United States but around the world is something that makes this plan the most difficult to implement. Yet the author lays out the benefits and the real detailed plans to bring the idea of solar energy and dividends to life in crystal clarity that gives readers a lot to think about and consider as we as a society moves forward in life.
The Verdict
A brilliant book that not only has a detailed plan and path towards solar energy and solar dividends while also implementing a unique narrative of the future that outlines how this plan would look to the average consumer. It’s a fast paced, easy read that puts a complex yet feasible plan forward and challenges the reader and those in power to consider these options as a viable energy solution. If you haven’t yet, grab your copies of Solar Dividends by Robert Stayton today!
Rating: 10/10
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About the Author
Robert Stayton is a physicist, author, teacher, programmer, inventor, technical writer, typesetter, bread baker, and worm farmer, with one art museum exhibit to his credit. He has degrees in physics and science communication, but not in politics or economics. In 1997, Robert and his wife built a passive solar home in Santa Cruz County and outfitted it with an off-grid solar photovoltaic system. He has been living with solar energy since then, always looking for new ways to apply solar in his daily life.
Hello there everyone. This is Author Anthony Avina, and today I am thrilled to be able to announce the upcoming release of my novel, Identity. This will be the first book published through the amazing team at Sirens Call Publications. I first and foremost want to thank the amazing team of editors at Sirens Call Publications for taking the time to work with me to get this book to the place it’s at today.
The link will take you to the official eZine for Sirens Call Publications, where I share my book announcement and the first two chapters of the novel on pages 129-140. I talk about what inspired this story, what the story is about and what readers can expect. It was my most challenging yet rewarding writing experience to date, and after all this time I am so thrilled to be able to share this story with you all.
The book is due to be released in early 2020, possibly within the next few months. I will be sharing more with you all as the book finalizes and we begin moving forward with the publication. This is a dream come true, and I want to thank everyone who has supported me over the years on this journey. From the authors who encouraged me and the readers who took a leap of faith on my early works, to my amazing family for always sharing their love and support for me over the years. I hope this is the first step in a long career, and no matter what I want to thank Sirens Call Publications for taking a chance on my story and to you, the readers, who take the time to purchase your own copies and read my novel. I hope you all enjoy it, and I can’t wait to share this journey with you all in the months to come. Enjoy this book announcement and the collection of wonderful stories featured in this month’s eZine!
Hello everyone! This is Author Anthony Avina, and today I am here to share with you all the top reads of 2019 on my website. I’ve reviewed over 160 books this year, and as we close out not only 2019 but the decade, I thought it appropriate as we head into 2020 to look back on 2019 and see what were the top books of the year. So without further adieu, here are my top picks of 2019!
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Best YA Romance: Again, but Better by Christine Riccio
A beautiful story from emerging author Christine Riccio about the choices we make in life, and what we would do if we could go back and change things. A story of following your dreams, living the life you want and finding love, and how hard a person is willing to fight to hold onto that dream and that love.
Best YA Sci-Fi & Fantasy: Nexus (The Androma Sage #2) by Sasha Alsberg and Lindsay Cummings
This exciting concluding chapter to the Androma Saga duology was a whirlwind sci-fi adventure in the YA genre. Authors Lindsay Cummings and Sasha Alsberg did a wonderful job closing this story out, creating a universe under the forced rule of a pair of siblings that seek control, but as a young outlaw turned hero seeks to save her makeshift family and stop this threat, the siblings find they are more pawns than true rulers in this quest, and an even greater threat is set to emerge on the galaxy. A must read sci-fi adventure!
Best Fantasy: The Second Life of Eddie Coyne by Louis K Lowy
A brilliant fantasy driven narrative from author Louis K Lowy, which showcases the downfall of a father and husband and the journey he takes to find the true meaning of life and a life well lived. Finding what matters most in life and holding onto it as the protagonist struggles to find their way back home again, this is a fantastic read for 2019.
Best Mystery/Crime: A Shattered Lens: A Detective Preach Everson Novel by Layton Green
If you are looking for a great murder/mystery series to sink your teeth into, then the Detective Preach Everson series is for you. Author Layton Green’s second novel is a masterpiece of the genre, expertly crafting a murder mystery that pushes the protagonist to their limit both professionally and personally. This book serves as both the perfect continuation of the series and a great book for newcomers to enjoy as well.
Best Comic Book/Graphic Novel: Spider-Geddon by Christos Gage
While there were many great comic books in 2019, and many that I still need to read, out of all the comics I read that were published this year, my all time favorite had to be Spider-Geddon. A great sequel to the epic Spider-Verse storyline, the return of the Inheritors and the imminent threat they pose to the Spider-heroes of the Marvel Multiverse make this a thrilling read. Spider-Man is an essential hero to the larger Marvel Universe, and the comic book industry as a whole, and so exploring not only his story but the story of several other spider heroes in the multiverse is always a thrill. Add the terrifying and powerful threat of the Inheritors to the mix, and this storyline makes for a wonderful read.
Best Contemporary Romance/Fiction: If Only by Melanie Murphy
One of my all time favorite reads of 2019, Melanie Murphy’s debut fiction novel was a brilliant novel. The characters were engaging, the fantasy element of seeing various lives if the protagonist had made different choices was a great addition to the plot and yet it didn’t overpower the overall theme and romance of the story whatsoever. Its a story many people our age can identify with and the author’s voice and tone in the novel is entertaining, engaging and refreshing to read, making this a must read of 2019.
Best Dystopian Thriller: A Single Light (The Line Between #2) by Tosca Lee
A great ending to another brilliant duology, author Tosca Lee has created a wonderful dystopian thriller that showcases the continued struggle for survival in the face of a massive breakout. Months after surviving the events of book one, the protagonists must fight for survival in a crumbling society, and as secrets threaten to tear them apart, they must find that which makes life worth living in the face of great danger once more. A must read novel of 2019!
My all time favorite sci-fi read of 2019, my good friend author Rebecca Henry has created a fantastic story that delves into the best aspects of the sci-fi genre. Secret government operations, powerful aliens who have influenced society, time and space travel and so much more. It’s a sci-fi fans dream read and I highly recommend reading my full review to get a sense of this amazing novel.
Best YA Historical Fiction: The Girl the Sea Gave Back by Adrienne Young
If you are a fan of History’s Vikings or the legends of Norse Mythology mixed with historical settings then you will absolutely love Adrienne Young’s “The Girl The Sea Gave Back”. The novel is a sequel of sorts to “Sky in the Deep”, and expertly crafts a story of a young girl considered an outcast her entire life and burdened by knowledge of fate, and a young man striving to make a better life for his people years after the end of a decades long war. Its a great way of continuing the story of the original novel while focusing on new characters and a new period of time in this wonderful world the author has created.
Best Mystery Crime Thriller: The Sixth Wicked Child (4MK Thriller #3) by J.D. Barker
The exciting final chapter in one of the best crime thrillers of the decade, author J.D. Barker’s “The Sixth Wicked Child” is the brilliant concluding story in the 4MK Trilogy. The shocking game of cat and mouse between the protagonist and 4MK is taken to new heights in this novel, as readers are forced to examine whether or not the series protagonist is the hero they’ve been led to believe, or will he turn out to be the villain all along? A twisted tale that pushes everyone to their limit, this was a phenomenal read and one of the top books of 2019 for me personally.
Best Nonfiction: Shrapnel in the San Fernando Valley by Carol Es
Last but certainly not least is author Carol Es’s book “Shrapnel in the San Fernando Valley”. A heartbreaking and emotional journey, this non-fiction read was one of the best of 2019, and took readers through the author’s life as well as through the harrowing journey of being caught in the midst of a cult. It’s a gritty and realistic novel that will catch the reader off guard at times, but is well worth the read. Highly recommend!
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
The past bleeds into the present as reincarnated lovers bring back a history of tragedy, pain and blood in author Varsha Ravi’s novel “The Heartless Divine”.
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The Synopsis
In this unexpected twist on mythology inspired by Sangam India, reincarnated lovers find themselves bound together, connected to their past by a centuries old tragedy that only one of them remembers.
In the ruthless martial empire of Naja, Suri is the crown’s unfailing blade. But the princess dreams of a life exploring the lands beyond the borders, unshackled by blood. The king and queen offer her freedom, at a price: marriage to a king she’s meant to kill, and the death of Athri, a kingdom her family once nearly destroyed.
Her only obstacle lies in the mountains above the Athrian capital of Marai, where a young prophet sees a world struck by catastrophe—a world where a girl lies dead in the temple of the fire god, and the city lies burning below.
Centuries later, Suri lives with no recollection of her past lives. Haunted by her family’s deaths eighteen years ago, Suri sees the boy bleeding gold on her doormat as an opportunity to unravel the mystery of the car crash that took their lives. But not all gifts are created equal, and the boy soon proves to be more trouble than he’s worth, a dangerous link back to a world of gods and wishes.
The Review
A well written deep dive into ancient mythology and incredible character development, author Varsha Ravi has created a masterpiece fantasy novel set in the mythology and folktale genre. From the book’s first pages, the author immediately draws the reader in, setting up the mystery of both characters while introducing the air of myth and legend into the narrative.
The author seamlessly runs the narrative back and forth between the past and the present, between myth and the novel’s reality as readers are given a deep dive into a mythology that is rarely explored in modern day literature. A great story that speaks of love, blood and heartbreak, the novel introduces a great cast of characters that showcases the duality of the protagonists history and their present.
The Verdict
An evenly paced read filled with action, romance and heavy doses of legends, author Varsha Ravi has created a fantastic modern day fantasy novel that will give fans of mythology a narrative to deep dive into with ease. A wonderful read that keeps the reader engaged throughout every chapter, this is a must read novel of 2019 that readers should grab their copies of now as we head into 2020. Don’t forget to check out Varsha Ravi’s novel “The Heartless Divine” for yourselves now!
Rating: 10/10
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About the Author
Varsha Ravi is a senior at California High School. She was born and raised in Illinois, before moving to North Carolina. She is currently living in the Bay Area, California.
As a kid, she read voraciously, encouraging her to attempt writing her first stories at a young age. Even as she grew older, creative writing continued to be a passion of hers.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Two homicide detectives in the late 40’s find themselves in over their heads when three victims tied to Hitler sympathizers are found with their bodies mutilated, and tensions begin running high both personally and professionally for the detectives in author Steve Bassett’s novel, “Payback – Tales of Love, Hate and Revenge”.
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The Synopsis
Payback – Tales of Love, Hate and Revenge, the second book of the Passaic River Trilogy, is a drama so intense that it would be improbable anywhere but 1946 Newark. Across the country millions were dealing with the loss of loved ones, and horrible memories were being buried for the greater good. But not in Newark. Two mutilated bodies were pulled from the putrid Passaic River, and the sawed-off arm of a third man was found neatly wrapped and tied at the city dump. The three victims were members of the German-American Bund, Hitler lovers who had to pay the price for supporting a murderous madman. Someone was sending a message that only revenge could clear the mind and free the soul.
It didn’t take long for Police Lieutenant Nick Cisco and his partner, Sergeant Kevin McClosky, two veteran homicide cops [first introduced to readers in “Father Divine’s Bikes” the first book of the Trilogy], to realize they were in over their heads as they grappled with ambition, greed, racial tension, international intrigue, and a powerful church on the take. The three murders could not have come at a worse time for Cisco. His wife, Connie, had left him, and his close-knit Catholic family had disowned him because of his affair with his lover, Grace.
To add to the chaos, Cisco learned that he could have another homicide on his plate. Father Terry Nolan cornered Cisco at the city morgue and demanded his help. The senior counsel for M.L. Kraus, manufacturer of the poisonous gas Zyklon B, and his German wife were severely beating a Catholic orphan they were seeking to adopt. The Archdiocese had weighed Kraus’ huge cash contributions against a helpless girl’s plight and did nothing.
Kraus, facing a host of war crime indictments in Germany, was fighting for its massive pre-war chemical holdings in New Jersey. A federal court in Newark would soon decide Kraus’ fate. The outcome of the case would have a bearing not only on the company’s future, but Europe’s as well. Watching it all from the banks of the Passaic River was the dark specter of a murderous madman seeking further revenge.
The Review
A phenomenal story of grisly murders, tensions from a long fought and gruesome war, and so much more take center stage in this truly wonderful novel. The story echoes the great days of crime fiction and noir style storytelling, highlighting an era of upheaval and change in the United States and around the world in the wake of the Second World War.
The novel focuses heavily on story through characterization. The book is filled with rich and diverse characters, each bringing their own set of problems and history that enhance the overall story and make the ongoing investigations and actions of other characters have much more emphasis on the overall story. Combined with the theme and genre of the story, this characterization draws the reader in immediately and gets the reader hooked on the action of the novel throughout every chapter.
The Verdict
This is a must read crime fiction read of 2019. A high octane drama with in-depth character development and edge of your seat thrills, this novel is the perfect winter read for any fan of the crime thriller genre. Those who love the classic noir style storytelling will absolutely love this novel, and despite it being the second novel in a series, the reader will find this novel stands on its own and is easily able to be absorbed. An evenly paced read overall, be sure to grab your copies of “Payback – Tales of Love, Hate and Revenge” by Stephen Bassett today!
Rating: 10/10
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About the Author
Born and raised in Newark’s crime-ridden Third Ward, although far removed during a career as a multiple award-winning journalist, Steve Bassett has always been the proud sobriquet Jersey Guy. He has been legally blind for almost a decade, but having this hasn’t slowed him down.
Bassett has written two nonfiction books, The Battered Rich and Golden Ghetto: How the Americans and French Fell In and Out of Love During the Cold War. Continuing with his newest fiction release, Father Divine’s Bikes (a Finalist in the 2018 International Book Award in the Cross-Genre Fiction category), readers share in his insights that earned him three Emmys for investigative documentaries, and the California Bar Association’s first Medallion Award for Distinguished Reporting on the Administration of Justice. He now resides in Placitas, New Mexico with his wife, Darlene.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Gods and monsters beyond comprehension drive people to madness in author Travis Liebert’s novel “Things Undone: A Collection of Horror Stories (The Shattered God Mythos)”.
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The Synopsis
All things unknown and unknowable are coming to light…
Creatures that never should have existed in the first place return to our world.
Children harbor broken gods, spirits prey on the weak, and men are subject to their most base instincts as madness overtakes them.
Everything comes undone as the world is picked apart by gods and monsters beyond fathom.
Get this collection of 18 horror stories now and discover the terrors that lurk within.
The Review
This collection of horror stories is wonderfully presented. A chilling mixture of suspense, scares and creature feature storytelling, the collection brings some of the darkest and scariest tales to life in expert detail.
The author does a fantastic job of bringing well rounded characters to life in a very short amount of time, as each tale delves into new creepy avenues that readers will be shocked to read. From the first pages where a serial killer’s tale takes an even darker turn, to a young boy who discovers a local legend may hold more weight than he could have imagined and much more, this collection does a great job of creating a spine-chilling atmosphere with every story.
The Verdict
This is a must read anthology for any horror fan! One of 2019’s top anthologies, author Travis Liebert’s “Things Undone” is a whirlwind read for horror fans everywhere. A fantastic blend of character development, a well built mythos and plenty of horror filled endings that will scare and shock readers, horror fans should grab their copies of this book immediately for the holiday season.
Rating: 10/10
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About the Author
Travis Liebert is a 20 year old Louisville native and member of the widely invasive species “Homo sapiens sapiens.” His hobbies include reading, writing, and anything else that indicates he’s intelligent and literate. He went to Trinity High School where he openly brandished his repertoire of useless knowledge as captain of the quiz bowl team. He is now a perpetually absent student at the University of Louisville. You can find him on instagram as @travisliebert.
His email is travismliebert@gmail.com. Please refrain from sending him hate mail, as he would prefer to just meet you in person and get punched in the face. If you would like to kick his teeth in, please contact his agent to arrange a meeting.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A young woman trying to save her brother’s life discovers a dark secret in author Wendy Heard’s The Kill Club.
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The Synopsis
Jazz will stop at nothing to save her brother.
Their foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens thirteen-year-old Joaquin’s life. Over and over, child services fails to intervene, and Joaquin is running out of time.
Then Jazz gets a blocked call from someone offering a solution. There are others like her—people the law has failed. They’ve formed an underground network of “helpers,” each agreeing to eliminate the abuser of another. They’re taking back their power and leaving a trail of bodies throughout Los Angeles—dubbed the Blackbird Killings. If Jazz joins them, they’ll take care of Carol for good.
All she has to do is kill a stranger.
The Review
The tension and action that makes a great thriller is present from the first page, jumping out at the reader and introducing this new world that truly tests a person’s morality. The question of whether taking a life to save another is justified really comes to life as the reader dives further and further into this world.
The character development and relationships are what really make this novel so great, highlighting the tough reality of the law being unable to prove the harmful acts people inflict on one another, and those who take the law into their own hands as a result. The desperation to save those individuals that people love from harmful individuals can drive them to do the most chilling things, and is showcased throughout the entirety of this novel.
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The Verdict
A must read thriller during this holiday season, The Kill Club by Wendy Heard is filled with suspense, fantastic character arcs and a shocking twist that will change the nature of the novel moving forward, leaving fans on the edge of their seats. Be sure to grab your copies today!
Rating: 10/10
About the Author
Wendy Heard, author of Hunting Annabelle, was born in San Francisco and has lived most of her life in Los Angeles. When not writing, she can be found hiking the Griffith Park trails, taking the Metro and then questioning this decision, and haunting local bookstores.
• Do you plan your books in advance or let them develop as you write?
I plan them for a long time before I start writing them, and I’m constantly revising my outline, but the plot and characters do develop quite a bit along the way.
• What does the act of writing mean to you?
It means everything to me! I have been writing for a really long time, since childhood. Words and story have always been the way I’ve made sense of things. I’m constantly making up narratives for people and events around me.
• Have you ever had a character take over a story, and if so, who was it and why?
Jazz held THE KILL CLUB hostage for months because I couldn’t get her to talk to me! She just kept crossing her arms across her chest and glaring at me. She did NOT want a book written about her, and I really needed her inner monologue for that first person POV! Eventually I started mentally arguing with her, and then in fighting with her and hearing her side, I started to get ALL of her IM. It was an interesting experience, trying to engage with a character in different ways until they cracked open.
• Which one of The Kill Club characters was the hardest to write and why?
Sofia. Her story is so much like so many others I’ve known. It’s quietly and invisibly tragic, her pain at the loss of her child so sharp.
• Which character in any of your books (The Kill Club or otherwise) is dearest to you and why?
Jazz! By far, Jazz is my favorite character. In my mind, she’s kind of the spirit of Los Angeles. She’s been through so much, and her sense of humor and lack of entitlement gets her through it all. She just continuously makes the best of every hand she’s dealt, moves forward, and doesn’t engage in self-pity.
• Do you have stories on the back burner that are just waiting to be written?
Let me get out my banjo. YES. I have so many. I have a YA that’s waiting to be written after I finish this current work in progress, which I’ve stopped and started a bunch of times, really honing the concept to get it just where I want it. But I’m constantly coming up with book ideas and having to tell them “not right now, darlings!”
• What has been the hardest thing about publishing? What has been the most fun?
Publishing is not for the faint of heart. For me, the beast is always self-doubt, and in a business that is full of rejection, that can really eat at you. It’s so easy to get out of balance and give our creative projects the power to define us. It’s important for anyone selling their art to remember to nurture a healthy life away from it, because art is a fickle master. It will come and go over your lifetime, and it won’t always be kind. You have to accept the rules of the game, but you don’t have to let the game play you.
• What advice would you give budding authors about publishing?
You’ll hear this a thousand times, and you won’t believe it, but: the most important thing is writing a good book, and more than that, the right book. If you let the market and external forces tell you what to create, you’ll resent and blame them when it doesn’t go well. That said, keep an eye on the market, find a way to love something you think can sell, and then put your personal spin on it. No one can tell your story but you. Prerequisite skills for publishing: The ability to revise without having a tantrum; an interest in book marketing and publicity; professional written communication; the ability to hold your freakout moments and vent them far away from a public or professional setting; an addiction to caffeine. And for God’s sake, if you’ve been working on something for years and it hasn’t sold and you’ve revised it forty times, write a new book.
• What was the last thing you read?
All Your Twisted Secrets by Diana Urban. It’s a 2020 book and has a fascinating timeline craft thing that you’re going to love.
• Your top five authors?
This is not fair because I have at least seven thousand favorite authors! How about this–here are some crime fiction authors doing some innovative things in the genre. Kellye Garrett, who’s doing sharp-witted, LA-based mysteries and winning a ton of awards. John Vercher, who talks about social issues while keeping it gritty and plotty. Rachel Howzell Hall, an LA native who does these rad investigative mysteries. Tori Eldridge has a recent and very feminist take on the action thriller with her recent The Ninja Daughter, which I highly recommend. Gabino Iglesias’ award-winning Coyote Songs is this incredible genre mashup, part folklore, part horror, all commentary, and I can’t recommend it enough. One more one more. Carmen Machado’s recent In the Dream House. It’s memoir told in all different genres, it’s chilling, engrossing, dense, and fascinating. Did you read Her Body and Other Parties? Just wow.
• Book you’ve bought just for the cover?
Wilder Girls. Because holy crap.
• What did you want to be as a child? Was it an author?
I was torn between the visual arts and writing, and I always vacillated between them. I have a degree in art, and I wrote a book, then did my painting degree, then wrote some nonfiction, then got my art teaching credential. I was trying things on for size. I do wish I still had time for painting. I never intended to abandon it completely in favor of writing books, but there are only so many hours in the day. I hope to come back to it in a future existence in which I have some spare time. In the meantime, I try to write about artists and art as a means of hanging onto it.
• What does a day in the life of Wendy Heard look like?
Sex, drugs, and rock and roll. Just kidding. I wake up at five, do publishing stuff, go to work at my day job, get my kid, come home, arm-wrestle her into doing homework, go to the gym, etc. On the weekends I wake up at five (yes I’m serious), write for a few hours, maybe record or edit an episode of the Unlikeable Female Characters Podcast, and then, you know, parenting and life stuff. Whenever my daughter is on a playdate or doing something away from me, I’m writing.
• What do you use to inspire you when you get Writer’s Block?
I dive into the DMs and torture some writing friends, make them brainstorm with me until I feel better and I have a plan. Or I just step away for awhile. I actually have come to trust writer’s block. If I can’t move forward, I need to stop and consider. There’s something wrong, and my brain is trying to get me to stop and gather up the threads. We’re so obsessed with productivity and daily word count, but I actually find I finish books faster when I don’t force myself to write things I know are wrong and waste weeks undoing things.
• What book would you take with you to a desert island?
I have a massive volume that contains all the Sherlock Holmes stories in one. I’d take one of those collection type of books. See, it’s technically ONE book.
• Favorite quote?
“If you work hard enough, you don’t need luck.” Hell yeah.
• Coffee or tea?
COFFEE.
• Best TV or Movie adaptation of a book?
The Neverending Story.
• Tell us about what you’re working on now.
I’m doing a final round of revisions on my 2021 YA thriller, She’s Too Pretty to Burn. It’s loosely based off Dorian Gray and is about a teen photographer who takes a life-altering picture of her introverted girlfriend, sending them into a spiral of fame and danger in an underground San Diego art scene. It has a character who’s basically a fine art Banksy and lots of art crimes.
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Excerpt From “The Kill Club”
THE CEILING ABOVE the crowd sparkles with strings of golden lights. They twinkle just bright enough to illuminate the faces. I adjust a microscopic issue with my toms and run my fingers through my bangs, straightening them over my eyes. The guys are tuning up, creating a clatter of discordant notes in the monitors. When they’re done, they approach my kit for our usual last-minute debate about the set list. Dao humps his bass in his ready-to-play dance, black hair swishing around his shoulders. “Dude, stop,” Matt groans and readjusts the cable that connects his Telecaster to his pedal board.
“Your mom loves my dancing,” Dao says.
“You dance like Napoleon Dynamite,” Matt retorts.
“Your mom dances like Napoleon Dynamite.”
Andre raises his hands. “Y’all both dance like Napoleon Dynamite, and so do both your moms, so let’s just—”
I wave a stick at them. “Guys. Focus. The sound guy is watching. We’re three minutes behind.” I have no patience for this shit tonight. This all feels extra and stupid. I should be doing something to help Joaquin. His dwindling supply of insulin sits at the front of my brain like a ticking clock.
The guys get into their spots, the distance between them set by muscle memory. Andre leans forward into the mic and drawls, “Arright DTLA, lez get a little dirty in here.” His New Orleans accent trickles off his tongue like honey.
The room inhales, anticipates, a sphere of silence.
“Two three four,” I yell. I clack my sticks together and we let loose, four on the floor and loud as hell. I’m hitting hard tonight. It feels great. I need to hit things. My heart beats in tempo. My arms fly through the air, the impact of the drums sharp in my joints, in my muscles, the kick drum a pulse keeping the audience alive. This is what I love about drumming, this forcing of myself into the crowd, making their hearts pound in time to my beat.
Dao fucks up the bridge of “Down With Me” and Andre gives him some vicious side-eye. The crowd is pressed tight up against the stage. A pair of hipsters in cowboy hats grabs a corresponding pair of girls and starts dancing with them. I cast Dao an eye-rolling look referring to the cowboy hats and he wiggles his eyebrows at me. I stomp my kick drum harder, pretending it’s Carol’s face.
The crowd surges back. Arms fly. A guy in the front staggers, falls. A pair of hands grips the stage, and a girl tries to pull herself up onto it.
Matt and Dao stop playing. The music screeches to a halt.
“What’s going on?” I yell.
“Something in the pit,” Dao calls back.
Andre drops his mic and hops down into the crowd. Dao and Matt cast their instruments aside and close the distance to the edge of the stage. I get up and join them. Together, we look down into the pit.
A clearing has formed around a brown-haired guy lying on the floor. Andre and the bouncer squat by him as he squirms and thrashes, his arms and legs a tangle of movement. Andre’s got his phone pressed to his ear and is talking into it urgently. The bouncer is trying to hold the flailing man still, but the man’s body is rigid, shuddering out of the bouncer’s grip. He flops onto his back, and I get a good look at his face.
Oh, shit, I know this guy. He’s a regular at our shows. He whines and pants, muffled words gargling from his throat. Some of the bystanders have their phones out and are recording this. Assholes.
The man shrieks like a bird of prey. The crowd sucks its whispers back into itself, and the air hangs heavy and hushed under the ceiling twinkle lights.
Andre is still talking into his phone. The bouncer lifts helpless hands over the seizing man, obviously not sure what to do.
I should see if Andre wants help. I hop down off the stage and push through the crowd. “Excuse me. Can you let me through? Can you stop recording this and let me through?”
I’m suddenly face-to-face with a man who is trying to get out of the crowd as hard as I’m trying to get into it. His face is red and sweaty, his eyes wild. “Move,” he orders me.
Dick. “You fucking move.”
“Bitch, move.” He slams me with his shoulder, knocking me into a pair of girls who cry out in protest. I spin, full of rage, and reverse direction to follow him.
“Hey, fucker,” I scream. He casts a glance over his shoulder. “Yeah, you! Get the fuck back here!”
He escalates his mission to get out of the crowd, elbowing people out of his way twice as fast. I’m smaller and faster, and I slip through the opening he leaves in his wake. Just before he makes it to the side exit, I grab his flannel shirt and give him a hard yank backward. “Get the fuck back here!” I’m loose, all the rage and pain from earlier channeling into my hatred for this entitled, pompous asshole.
I know I should rein it in, but he spins to face me and says, “What is your problem, bitch?” And that’s it. I haul back and punch him full in the jaw.
He stumbles, trips over someone’s foot and lands on his ass on the cement floor. His phone goes clattering out of his hand, skidding to a stop by someone’s foot. “The hell!”
“Oh, shit,” cries a nearby guy in a delighted voice.
“Fucking bitch,” the guy says, and this is the last time he’s calling me a bitch. I go down on top of him, a knee in his chest. I swing wild, hit him in the jaw, the forehead, the neck. He throws an elbow; it catches me in the boob and I flop back off him with a grunt of pain. He sits up, a hand on his face, and opens his mouth to say something, but I launch myself off the ground again, half-conscious of a chorus of whoops and howls around us. I throw a solid punch. His nose cracks. Satisfaction. I almost smile. Blood streams down his face.
“That’s what you get,” I pant. He crab-shuffles back, pushes off the ground and sprints for the exit. I let him go.
My chest is heaving, and I have the guy’s blood on my hand, which is already starting to ache and swell. I wipe my knuckles on my jeans.
His phone lights up and starts buzzing on the floor. I pick it up and turn it over in my hand. It’s an old flip phone, the kind I haven’t seen in years. The bright green display says Blocked.
Back in the pit, the man having a seizure shrieks again, and then his screams gurgle to a stop. I put the phone in my pocket and push through the onlookers. I watch as his back convulses like he’s going to throw up, and then he goes limp. A thin river of blood snakes out of his open mouth and trails along the cement floor.
The room echoes with silence where the screams had been. A trio of girls stands motionless, eyes huge, hands pressed to mouths.
The flip phone in my pocket buzzes. I pull it out, snap it open and press it to my ear. “Hello?”
A pause.
“Hello?” I repeat.
A click. The line goes dead.
A set of paramedics slams the stage door open, stretcher between them. “Coming through!” They kneel down and start prodding at the man curled up on the concrete. His head flops back. His eyes are stretched wide and unseeing, focused on some point far beyond the twinkling ceiling lights.
Next to him on the concrete lies something… What is it? It’s rectangular and has red and—
1) Tell us a little bit about yourself. How did you get into writing?
I have always written, short stories and small standalone scenes just for myself and as storylines for artwork projects that I undertake but after my friend, author Jhedron Luckspar published his novel, Revenge of the Hrym, I was inspired to publish my own book and started with the short story Yankai’s Skull which I was writing at the time.
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2) What inspired you to write your book?
I had recently visited the Ashmoleon Museum in Oxford, UK which is like Indiana Jones’s locker. There are all sorts of random exhibits from all over the world and jumbled together in such just such a way as to make it seem as if it were collected by groups of adventurers from a more romantic age. In one exhibit, there was a human skull that had been taken as a trophy after a brutal fight, the writing on the skull describes it as the skull of Yankai of the Nienching tribe somewhere in the Himalayan region. The story is my take on why Yankai’s Skull was removed from the rest of him and how it ended up in a museum.
3) What theme or message do you hope readers will take away from your book?
That’s easy. If you look at the dark side, it looks back. I think that may have been a quote from Yoda but that is essentially the message of the book. Even those with good intentions who study the dark side of the world will end up getting corrupted.
4) What drew you into this particular genre?
The story unfolded itself and it turned out to be a mash up. I had no idea how to pigeon hole it but horror seemed closest and if you look at what Yankai experiences, that really is a horrific experience for him. Forget blood and guts, true horror likes in human behaviour and the demons that drive it.
5) If you could sit down with any character in your book, what would you ask them and why?
I would sit with The Poet and ask him about his experiences with Buddha. I would ask him what kind of man he was and what it was like to be around him.
6) What social media site has been the most helpful in developing your readership?
I have not done any traditional social media advertising as of yet so I can’t answer that but looking at them all, I would say Facebook seems to be the best way to develop a targeted readership. My current approach is to send copies of the work to people who may say something good about it and I hope old fashioned word of mouth, on whatever medium will lead to a growth in readership. It may seem counter intuitive but I’m going to see what happens in this approach, it allows me more time to be creative.
7) What advice would you give to aspiring or just starting authors out there?
Write for yourself as an artist. It may not seem like it but there are people in the world who will love your work and that will connect with what you are doing. How they connect to it in the first place is a dfferent thing entirely but I believe that if you are writing from a place of truth, then the story will resonate as a truth and its core message or experience will shine through.
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8) What does the future hold in store for you? Any new books/projects on the horizon?
I have just come back from the Gothenburg Book Festival which was a huge success for many independant authors and publishing houses so judging by that, the future is exciting. Creatively, there are a combination of art projects and more stories that I will continue to advertise in weird and wonderful ways. Astrum, has also been published and is available on Amazon and there are 3 more stories just waiting to be published once the proofing and art have been finalized. It’s all very exciting.
