The Playlist

For those of you who are just meeting me, hi! I’m Ro, I’m a huge music fanatic and I love to write stories inspired by the music I love. You Can Save Me is a departure of sorts from my typical hard rock/heavy metal musical vibes. It’s full of folk music, a lot of which I hadn’t listened to prior to writing this book. I’ve always been a big fan of Crosby, Stills, Nash, and Young, and I knew a lot of the hits, but I did a huge deep dive into The Mamas and Papas, including Cass Elliot’s solo music. I fell hard for Gram Parsons and The Flying Burrito Brothers. I also became a huge fan of Love, the band that would have been all the rage like their label mates The Doors if their label had been willing to market them like they did The Doors. The folk singer Melanie also passed away while I was writing this book, and I did a dive into her catalogue. I discovered so much more music to love and even bonded over a lot of the music with my son, who has very discerning tastes when it comes to music. 

Besides the Laurel Canyon documentary, I also watched Rolling Thunder Revue, which was directed by Martin Scorsese and follows Dylan and company on the road just as the US was readying to celebrate their bicentennial. Fascinating stories in that film and it gave me a greater appreciation for his music. It just so happens that Bob Dylan is coming to the Bay in August, so I’m going to see him with Willie Nelson, John Cougar Mellencamp, and a fantastic country artist, Brittney Spencer. Super excited. But I digress. There are some great songs on this list as well as some obscure ones. 

I definitely had a voice in mind when I wrote Dane’s character. I hear Jackson Browne when I think of Dane. Browne’s early career is also how I saw Dane’s. He is a brilliant songwriter and he was quite young when he joined the second wave of Laurel Canyon folk singers. He wrote the beginning of “Take It Easy” and then gave the song to Glenn Frey and Don Henley to finish for the Eagles to record. 

And just as You Can Do Magic had a theme song, I found one for this book… I’ll See You Again is a song by Noel Coward, which came out in 1929 and became a standard. The words can be interpreted as sweet…but it also has a very creepy vibe, which fit the story perfectly. 

I hope you enjoy immersing yourself in the music of You Can Save Me! Stay Tuned for more…

R.L. Merrill has a new MM paranormal romance in the Carnival of Mysteries series, the sequel to You Can Do Magic: You Can Save Me.

Sixties folk singer Dane Donovan vanished from a desolate highway rest area in 1979. Forty years later, he’s found hitchhiking in the California desert on a cold winter’s night. He hasn’t aged a day, but the roadmap of scars he wears tells a chilling tale.

Veteran detective Walter Muse took over the case twenty years ago, but his haunting connection to Dane Donovan goes back to a peculiar run-in as a child with The Troubadour and his Talking Board at a traveling carnival. He receives a late-night call with Dane’s whereabouts and races to Laurel Canyon to see for himself whether Dane is real — or a ghost. Walter’s carefully honed detective instincts are thrown out the window when his obsession with the case turns into an undeniable attraction to the mysterious singer.

Dane is on a mission to stop a new killer hell-bent on picking up where Dane’s kidnapper left off, and Walter is determined to protect him, no matter the personal and psychological cost. They’ll have to rely on new friends and trusted colleagues as well as the power of a mystical spirit board to stop the killing, and have a chance at a real future together.

Warnings: discussion of suicide, serial killer attempted murder

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Excerpt

On a dark desert highway somewhere in California, I walked alone on the dusty shoulder with a borrowed acoustic guitar strapped to my back and my sole possession tucked under my arm in a brown paper bag. I shivered as though evil was breathing down my neck, when in reality, I was the one in pursuit. The sky had a purplish hue with some storm clouds off to the north but directly above me, the stars flickered in a surreal dance.

I walked with purpose, and it was a very important one.

I’m the only one who can stop him.

I passed a sign that said Highway 58 to Mojave, and I pulled my salvaged coat tighter around my scrawny self. The ground was warm beneath my tattered boots, but the air bit into my skin like an icy monster gnashing its teeth, hungry.

I turned to look behind me and spotted headlights coming my way. It had been at least an hour since another car had passed. I stuck out my thumb, hoping they’d stop. The boots I wore were also borrowed, as were my clothes and hat. I chose them because they were the only ones in the carnival storage that were the right size and fit.

I had only one memory from before I’d started working with the traveling carnival, and it was awful enough to make your blood run cold.

The lights hurt my eyes, and my energy flagged, but I kept my thumb out. I had something important to do, and if this car didn’t slow down, I’d keep going until the next one came. Someone had to stop. How else did people get anywhere if not for thumb power?

The headlights grew nearer and were impossibly bright. I had to cover my eyes briefly as I was nearly blinded. I heard the crunch of gravel as the vehicle pulled over and coughed at the cloud of dust that rose. A door opened and a male voice called out.

“Hey, man. What are you doing out here?”<

The bright lights faded and only a set of yellow ones down low on the front of the…pickup truck were left on. It was a massive thing, jacked up high, with big tires and a shiny chrome grill.

What does it look like I’m doing? The large concrete sign with the strange name loomed in my consciousness, and though every cell in my body struggled against my purpose, I stood tall and called back, “Need a ride. To Buttonwillow.”

The truck door closed, and I saw the man’s shape pass in front of the dim lights. What was he doing getting out of his ride? I backed up a step, trying to play it cool. He wasn’t the person I was worried about.

Then the passenger door opened, and a much larger man got out.

“Ryan, don’t.”

There were two of them. I didn’t like my odds, but I had no choice. I had to get there. I had to stop…

“Forget it man, I’ll walk.”

“Wait, come back. You can’t walk that far. That’s, like, almost a hundred miles away.”

The driver came closer, but the big man stepped in between us. I reached for the guitar on my back. Maybe I could whack him with it and run away. I was pretty fast.

“Do you have any weapons?” Then the passenger barked an order at me. “Let me see under your jacket.”

“Come on, man. I just need a ride. I don’t have anything.”

The driver pushed past him. “Kal, it’s okay. Hey, kid, what’s your name?”

“Dee Dee.”

The driver held his hand out, and I shook it. “Dee Dee, I’m Ryan, and this is my husband, Kal. Damn,” he said, letting go of my hand and slapping his together, the loud crack making me jump. “I love saying that.” He turned and smiled at the large man, whose scowl seemed to lessen the slightest bit. “We just got married in Vegas.” He held up a hand and the light flashed off of his wedding band.

“Congratulations?” It came out like the question it was. How were they married? Two men? Guess they really do let anything happen in Las Vegas.

“Where’d you come from?” Kal asked, standing next to Ryan as if to protect him from me. Not sure I’d ever been seen as a threat to anyone, but I didn’t blame him for being cautious. Wish I’d had someone to look after me like that.

“Back that way. Was working at a carnival, and I needed to—”

Ryan put a hand on my chest and his eyes went wide. “Did you say carnival? Like, ‘Welcome, Traveler’ carnival?”

“How’d you know?” I tried to step back and my heel caught on a rock. I was about to go down, but Kal caught me—and then I was caught up in his gaze.

“I came from there, too,” Kal said.

And then I heard it. In my mind. Calliope music.

I’d never gone to see it. I hadn’t done much exploring. I’d only gone from my trailer to my booth and back for however long I’d been employed there. Didn’t seem long, but then, time did weird things at the carnival.

>“The Troubadour’s Talking Board,” Kal said. He gripped my arm a little tighter as he brought me back up to standing. “The booth in the arcade. I know you.”

“That’s right. That’s me. Well, it was. I left. Got something I gotta do.”

Ryan grabbed Kal’s arm. “The promise. Babe, we have to help him.”

Kal continued to stare down at me, and though he seemed good—the big man oozed honor from his pores—he was a scary guy. His hand could have wrapped around my bicep twice. Or my throat. He looked from Ryan to me, and then he let go of my arm.

“We shall help you along your path.”

Seemed like a strange way of saying “sure, we’ll give you a ride,” but I’d take it.

“Thank you.”

Ryan gestured to the truck. “Hop in.”

Kal remained at my side and when we reached the cab, he opened the front of two doors. I’d never seen a pickup with two sets of doors before. This thing was unreal.

“You ride up here,” Kal said, taking the guitar from me. “I’ll be right behind you. If you hurt my husband, I will hurt you.”

“God, Kal. That’s hot, but babe, don’t scare the kid. We promised we’d help him.”

“Promised who?” I asked as I climbed into the tall pickup. “And I’m not a kid.”

Kal shut my door after I sat, and then he climbed in. I turned my back to the door. I didn’t like having him behind me. Didn’t like anyone at my back, especially after what had happened to land me at the carnival in the first place.

“I think you know,” Kal said as Ryan started the pickup. “Ryan and I are married because someone else made a promise to help us on our path. Ryan made a promise to Mr. Ame. Now we will do the same for you.”

I’d known cats who lived together, maybe even called themselves husbands, but marriage couldn’t happen between homosexuals. This was all too much. It was like I’d left one odd place and wound up in another.

But what he said about promises put my purpose front and center in my mind.

I sighed and turned just a bit, still able to see Kal out of the corner of my eye as he sat in the middle of the backseat. He rested a hand on the seat behind Ryan’s shoulder, his fingers tangling in the man’s shoulder-length copper hair.

“Thank you for stopping,” I said before I let my eyes drift closed. I needed to rest. I would need my strength when we arrived.

“What’s in Buttonwillow?” I heard Kal ask Ryan.

“All I know about it is there’s a pair of rest stops on either side of the highway. Creepy-ass place. Every time I stop there, I’m sure a murderer is going to jump out of the bushes.”

You don’t know how right you are.

Author Bio

Whether she’s writing contemporary romance featuring quirky and relatable characters or diving deep into the paranormal and supernatural to give readers a shiver, R.L. Merrill loves creating compelling, diverse, and inclusive stories that will stay with readers long after. Winner of the Kathryn Hayes “When Sparks Fly” Best Contemporary award for Hurricane Reese, Paranormal Romance Guild’s Best Rockstar Romance for You Can Do Magic, and Daphne DuMaurier finalist for Connection, Ro spends every spare moment improving her writing craft and striving to find that perfect balance between real-life and happily ever after.

You can find her connecting with readers on social media, advocating for America’s youth, cruising around town with Great Dane Velma, cuddling with twin black cat familiars Frankenstein and Dracula, or headbanging at a rock show near her home in the San Francisco Bay Area! Stay Tuned for more…

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