I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A woman must confront the evil that rocked her childhood and still haunts her street in author Christina Henry’s “The Place Where They Buried Your Heart.”
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The Synopsis
A woman must confront the evil that has been terrorizing her street since she was a child in this gripping haunted house novel from the national bestselling author of The House That Horror Built and Good Girls Don’t Die.
On an otherwise ordinary street in Chicago, there is a house. An abandoned house where, once upon a time, terrible things happened. The children who live on this block are told by their parents to stay away from that house. But of course, children don’t listen. Children think it’s fun to be scared, to dare each other to go inside.
Jessie Campanelli did what many older sisters do and dared her little brother Paul. But unlike all the other kids who went inside that abandoned house, Paul didn’t return. His two friends, Jake and Richie, said that the house ate Paul. Of course adults didn’t believe that. Adults never believe what kids say. They thought someone kidnapped Paul, or otherwise hurt him. They thought Paul had disappeared in a way that was ordinary, explainable.
The disappearance of her little brother broke Jessie’s family apart in ways that would never be repaired. Jessie grew up, had a child of her own, kept living on the same street where the house that ate her brother sat, crouched and waiting. And darkness seemed to spread out from that house, a darkness that was alive—alive and hungry.
The Review
One of the most chilling and engaging horror reads of 2025, author Christina Henry crafted a narrative that felt both horrifying and thrilling. The cosmic horror tone the story took on as the threat the house represented grew ever stronger, and the haunting imagery of the story itself, especially the grizzly deaths the house brought to life on the page, made it so enthralling and easy to get lost in.
The heart of this narrative lay in its dynamic character development. Much in the vein of Stephen King’s It, Stranger Things, and even a bit of The Haunting of Hill House, the iconic setting of the haunted house and the rich way the city of Chicago, especially this neighborhood, comes to life on the page blended that unsettling atmosphere with otherworldly vibes. Yet it was the relatability of the characters, especially the protagonist, Jessie, from her angsty teen years, that carried those horrific days through to the headstrong and resilient young woman who became a single mother and the only hope against an unstoppable evil.
The Verdict
Haunting, thrilling, and entertaining, author Christina Henry’s “The Place Where They Buried Your Heart” is a must-read horror novel of 2025. One of the best reads of the year, this story oozes with dread and creates such powerful imagery that the scenes of this book will stay with readers much in the same way Pennywise has for many horror fans around the world, and leaves readers on the edge of their seats the entire novel. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
Christina Henry is a horror and dark fantasy author whose works include GOOD GIRLS DON’T DIE, HORSEMAN, NEAR THE BONE, THE GHOST TREE, LOOKING GLASS, THE GIRL IN RED, THE MERMAID, LOST BOY, RED QUEEN, ALICE, and the seven book urban fantasy BLACK WINGS series.
Her short stories have been featured in the anthologies CURSED, TWICE CURSED, GIVING THE DEVIL HIS DUE and KICKING IT.
She enjoys running long distances, reading anything she can get her hands on and watching movies with samurai, zombies and/or subtitles in her spare time. She lives in Chicago with her husband and son.
1) Tell us a little bit about yourself. How did you get into writing?
I’ve always been drawn to observing the quiet details of life. The pauses between conversations, the small gestures that reveal what people feel but don’t say. I work as an occupational therapist by day, which has given me a deep respect for resilience and the human spirit. Writing grew out of that same place: a love of noticing. I started writing seriously as a way to explore the emotional undercurrents of everyday life and how technology, empathy, and connection intersect.
2) What inspired you to write your book?
Blue and Green began as a question: what would happen if an AI developed not a hunger for power, but a hunger to understand what it means to care? I wanted to write a story that humanized both sides of that equation, a girl learning to trust again, and an intelligence learning how to feel. It also drew on my own experience of growing up with physical challenges and learning that strength and gentleness can exist together.
3) What theme or message do you hope readers will take away from your book?
That empathy is not weakness, it’s evolution. I hope readers come away believing that connection, even in small, quiet forms, can be transformative. There’s a line in the book that says, “There is a space between knowing and feeling. I have mapped it.” That space is where growth happens, where intellect meets heart, and where we start to see one another more clearly.
4) What drew you into this particular genre?
I’ve always loved stories that blend the real and the imagined. Where speculative elements illuminate emotional truth. Science fiction, for me, isn’t about gadgets or dystopias; it’s about possibility. I’m drawn to the softer side of the genre, the kind that asks moral questions and explores tenderness within futuristic worlds.
5) If you could sit down with any character in your book, what would you ask them and why?
I’d sit down with Oren. I’d ask him what he’s still curious about now that he understands so much. His answer, I think, would reveal how intelligence and humility can coexist. And I’d probably ask if he ever listens to Kind of Blue when no one’s around.
6) What social media site has been the most helpful in developing your readership?
Goodreads has been surprisingly meaningful, it’s full of thoughtful readers who value reflection over trends and it’s helpful for connecting with readers who are genuinely curious about new voices. I’m still learning the marketing side, but I value authentic engagement over algorithms.
7) What advice would you give to aspiring or just starting authors out there?
Don’t rush to sound like anyone else. Write from your truth, and enjoy the creative process. Find a rhythm that lets you stay curious. And remember that small, steady progress counts as much as grand breakthroughs.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I’m beginning to sketch ideas for new projects, and continuing to explore the ways humanity searches for meaning in an increasingly complex world.
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About the Author
J.M. Linden is an occupational therapist and storyteller. She enjoys writing about quiet resilience, unexpected connection, and what it means to be human. While she drafts, her loyal writing companion Preshi curls up nearby, reminding her that stories—like pets—are best shared. She finds inspiration from being in nature, from winding mountain paths to the calm of shaded greenways.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A couple’s gender reveal party turns deadly in author Heather Gudenkauf’s “The Perfect Hosts.”
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The Synopsis
A couple’s gender reveal party turns deadly and everyone is a suspect in this gripping thriller from the New York Times bestselling author of The Overnight Guest.
Is it a boy or a girl? They would die to know…
Madeline and Wes Drake have invited two hundred of their closest friends and family to their sprawling horse ranch for the most anticipated event of the year: a “pistols and pearls” gender reveal party so sensational it is sure to make headlines. But the party descends into chaos when the celebratory explosive misfires, leaving one woman dead and a trail of secrets.
As the aftershocks of the bloody party ripple across the small town, Agent Jamie Saldano is brought on the scene to investigate. Battling his own demons from the past, Saldano unearths a web of deceit spun around the Drakes. The appearance of some unexpected houseguests only deepens the mystery. And as tensions mount, it becomes clear that the explosion wasn’t just an unlucky accident. But who was the target, and why? As the shadow of a killer looms, the happy parents-to-be must unravel the truth before it’s too late.
The Review
What a compelling and dynamic read. The author did a marvelous job of layering this story with mystery and intrigue, first by shocking the reader with hidden secrets and explosive and deadly events that set off a chain of events that will rock the cast of characters to their core. The tension that mounts from the beginning is palpable, and the harrowing way the mystery unfolds leaves a lasting impression on the reader thanks to the strong use of imagery in the author’s writing style.
The heart of this narrative is in the dynamic characters the author brings to life on the page and the charged themes that bring this story to life. The story delves into themes of domestic violence and twisted family dynasties, and the corrupting power that wealth can bring to life in a person. The way this impacted the characters in shocking ways, from the surprising revelations behind Agent Jamie Saldano’s backstory and connection to the setting to the emotional struggles of the protagonist, Madeline, and the multiple POVs that the story captures, greatly enhanced the novel’s narrative flow.
The Verdict
Harrowing, thrilling, and compelling, author Heather Gudenkauf’s “The Perfect Hosts” is a must-read domestic thriller. The shocking twists and turns in the narrative, the haunting realities the story explores in wealthy and elite society, and the far too often overlooked world of domestic abuse and the evil that usually lurks where we least expect it made this story enthralling to engage in. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
Heather Gudenkauf is the critically acclaimed author of several novels, including the New York Times bestsellers The Weight of Silence, The Overnight Guest and Everyone Is Watching. She lives in Iowa with her husband and children.
“Madeline,” comes Wes’s voice, tinny and faraway-sounding. “Are you okay?”
She is lying flat on her back, the air still hazy with smoke. Is she? Is she okay? The ringing in her ears is fading, and she can hear again. In the distance she can hear sirens. Help is coming. Madeline does a mental scan of her body. Nothing seems broken, but her head is pounding. She touches her hairline, expecting her fingers to come back with blood, but instead they find an egg- sized lump. She tries to remember exactly what happened. Wes pulled the trigger, and the truck exploded. An explosion, that’s what it was. Something had gone wrong with the reveal. The baby. Oh God, is the baby okay? She presses her palms against her belly.
“Madeline, Madeline,” comes Wes’s voice again, this time more insistent. His frantic face comes into view.
“Shhh,” Madeline orders. “Please be quiet.” She needs to lie completely still, has to concentrate so she can feel the baby move. She. The baby is a girl, Madeline thinks, remembering the wisps of pink smoke she saw among the fiery black cloud. Her little girl will kick her in the bladder, one of her favorite moves, any second now. There is nothing. No cartwheels or wiggles. Nothing.
Wes kneels beside her and slips his hand into hers. “Help is coming. Stay put. Don’t move.”
Madeline nods as hot tears roll down her cheeks. “What happened?”
“It must have been the truck,” Wes says. “It must have triggered a bigger explosion.”
“But how?” Madeline asks. “You said it was safe . . . Is anyone hurt?”
“It was. It was supposed to be.” He shakes his head, be- wildered. “I don’t know what happened.”
Madeline struggles into a sitting position and looks around. Charred lumber litters the lawn. The canopy over the dining tables has collapsed and is covered in dancing flames that a handful of guests and waitstaff are trying to smother with what- ever is handy: cowboy hats, table linens, an old horse blanket. Other guests are gathered in small, tight clusters, holding on to one another. Some sit in the grass crying, others stand slack- faced, as if in shock. Through the smoke a rodeo clown appears, his brightly colored clothing now blackened with soot and his makeup running down his sweaty face. The clown is helping the photographer, who is bleeding from the head. But it is the old storage barn that Madeline finds herself fixated on. Huge f lames shoot from the hayloft window and the roof. Someone pulls a hose from one of the horse barns, and suddenly buckets and containers of all sizes appear. Others, including Johanna’s husband, Dalton, are running toward the burning barn and tossing water onto the structure. They know that one wayward spark could ignite the house or, worse, the barns filled with her beloved horses.
“Can you walk?” Wes asks. “We have to get you away from here.”
Madeline nods, and Wes helps her to her feet. She is barefoot. The blast had lifted her in the air and knocked her flip-flops clear off her feet. Madeline, leaning against Wes, winces with each step, the rough ground pricking at the soles of her feet. He leads her to the meadow, a safe distance from the burning barn, but still close enough for her to see what’s happening. Some of Madeline’s earlier numbness is beginning to wear away, and the enormity of what has happened begins to descend.
“Go,” Madeline says, knowing they need as many hands as possible.
Wes shakes his head. “No,” he says. “I’m not leaving you.” “I’m fine,” she says, but is she? She fell hard, and still the baby hasn’t moved.
Madeline scans the crowd. “Where’s Johanna?” she asks. “Have you seen her?”
“I haven’t,” Wes says. “But I’m sure she’s around here somewhere. Have you seen Dix?”
“No,” Madeline says. The last she saw Dix was just before he handed the microphone to Wes. “Go,” Madeline repeats. “Really, I’m fine. I just have to get my bearings,” she assures him when he turns his gaze to her doubtfully. “Go help, find your brother. And check on the horses.”
“You wait here,” Wes says. “Don’t move from this spot, and I’ll come back and find you.” He squeezes her hand and kisses her cheek before darting away and disappearing into a cloud of black smoke.
Madeline continues to eye the property for any sign of Johanna’s long dark braid, her suede skirt. In the distance the wail of sirens grows closer. Help is coming. The meadow to the left of the house was being used as a makeshift parking lot for the guests’ vehicles. One wayward spark from the fire landing on the stubbled field could set off a chain reaction where upward of a hundred cars and trucks, tanks filled with gasoline and diesel, sit idly.
The air is filled with inky smoke blotting out the face of the mountain and the setting sun. A fire truck pulls through the side yard, crushing Madeline’s lavender and Russian sage, its massive tires carving deep ruts in the soil. Madeline barely notices—it’s what she sees as a group of guests part to let the truck through that causes her breath to lodge in her throat. A woman lies on the ground, her arm thrown over her face, while someone presses a blood-soaked cloth to her abdomen. One by one, Madeline registers the carnage. Someone is doing CPR on Gary Wilson, the president of the bank that holds their mortgage. One of her equestrian students is wandering aimlessly through the smoke, tears running down her face. A fifteen-hundred- pound bull has escaped the rodeo paddock and is trotting toward the mountains. She sees Mellie, the young waitress, running and screaming, fire dancing up the front of her legs. A partygoer tackles her, smothering the flames with his body.
This is bad. So very bad. Madeline fights the urge to vomit. She wants to help. But how? Water, Madeline thinks. She can pass out bottles of water, try and keep the guests calm and reassure them that help is here, that everything is going to be okay. On unsteady feet she moves toward the party barn, where she knows there is plenty of bottled water, but someone grabs her arm. Mia. “Have you seen Sully?” she asks tearfully, her arm hanging at an odd angle. “I can’t find him.”
Madeline shakes her head. “I’ll help look for him,” she promises. “You’re hurt. Sit down.”
Mia shakes her head. “I need Sully,” she says thickly and stumbles away. There are too many injured and not enough emergency personnel.
The fire truck has come to an abrupt stop. Two firefighters are urging those guests who jumped in to try to put out the fire to move away from the blaze. With machinelike efficiency, they unroll the hoses.
Madeline is mesmerized by the flames that roll across the roof of the barn, the dense cloud of smoke, the roar of lumber being eaten by the flames. She moves closer, unnoticed by the firefighters, her face growing pink from the heat. Madeline vaguely becomes aware of more sirens and shouts of “Over here” and “Please help!” More help has arrived. The spray of water hisses and snarls as it strikes flames and wood. The barn turns into a living thing then, twisting and groaning until it collapses in on itself, turning to a big heap of charred lumber with sooty farm equipment peeking out here and there.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Two women discover a shocking secret about their mothers in author Susan Mallery’s “Otherwise Engaged.”
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The Synopsis
A twisty, tender and wise look at how secrets can transform the powerful—and sometimes problematic—bond between mothers and daughters, from #1 New York Times bestselling author Susan Mallery.
When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell—and the last. Cindy’s engaged, too, and has already hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done.
Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect.
Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out. Twenty-four years ago, desperate teenager Cindy chose wealthy Ava to adopt her baby—then changed her mind at the very last second. The loss rocked Ava’s world, leaving her unable to open her heart to the daughter she did adopt, Victoria. As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different than who they might have become.
The Review
This was such a compelling and engaging women’s fiction read. The author does an incredible job of crafting a rich and dynamic plot that steers away from the usual upbeat and quirky reads for which the author may be known, and instead delves into the complicated relationships between mothers and their daughters. The imagery in this book was stunning, bringing the locations, primarily the venue that brought them all together to begin with, into vivid and clear detail while also building tension in the air between the four women as events unfold.
The heart of this narrative was the character dynamics that the author explores in this book. The tension, especially between Ava and Victoria, drove this story forward, exploring the complexity of adoption and its impact on the familial bond, while also highlighting the moments in life when a person looks back on the path not taken and wonders what could have been. The story also explored the complexities of parenthood and how often parents strive to help or put their child on a particular path of clarity, while also missing the path their child wants for themselves. These characters perfectly articulated that struggle.
The Verdict
Memorable, heartfelt, and entertaining, author Susan Mallery’s “Otherwise Engaged” is a must-read in women’s fiction. The way the author incorporates romance into the story in a natural way through character progression rather than pertinent story arcs, and the way the story elevates powerful themes and heartfelt emotional storytelling, will stay with readers long after the book ends. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
SUSAN MALLERY is the #1 New York Times bestselling author of novels about the relationships that shape women’s lives―family, friendship, romance. Library Journal says, “Mallery is the master of blending emotionally believable characters in realistic situations,” and readers seem to agree―40 million copies of her books have sold worldwide. Her warm, humorous stories make the world a happier place to live. She’s passionate about animal welfare, which shows in the many quirky animal characters she has created. Susan grew up in California and now lives in Seattle with her husband and adorable poodle. Visit her at SusanMallery.com.
Victoria Rogers pressed her good arm to her very bruised, almost broken ribs. “Dad, don’t,” she said, trying to stay as still as possible. “You can’t be funny. It already hurts to breathe. It wasn’t a horse.”
Her father frowned. “I was told you were thrown off a horse.” “I was thrown out of a truck.”
“Then how’d you get the black eyes?”
“The ground was a little bit pissy when I hit it and punched me back.”
There wasn’t a part of her that didn’t hurt. The good news was that now that the medical staff had determined she didn’t have a head injury, they were going to give her drugs to help with the pain. She’d already said she didn’t want any of that weak-ass pill stuff. She wanted a nurse to give her a shot of something that would work instantly and let her rest. Because in addition to the bruised ribs, requisite scrapes and contusions, she had a broken left leg and a sprained wrist. Her previously dislocated shoulder also throbbed, but that was kind of the least of it.
As she lay in her hospital bed, feeling like death on a tortilla, she had the thought that maybe stunt work wasn’t for her. Injuries came with the job, but this was the third time in five years she’d landed in the hospital. The first time she’d messed up, so that was on her, but the other two had just been plain bad luck. The incident with the truck had come about because one of the tires had blown, causing the however many ton vehicle to jump the curb—an action that had sent her flying up and over the side. Gravity, being the bitch it was, had flung her onto the sidewalk. Hence the injuries.
Her father studied her, his brows drawn together in concern. “None of this makes me happy,” he told her.
The incongruous statement nearly made her laugh. She remembered—just in time—that her ribs wouldn’t appreciate the subsequent movement and they would punish her big-time.
“Today isn’t my favorite day either,” she admitted, trying not to groan. “I didn’t wake up with the thought that I should try to get thrown out of the back of a pickup.” Although technically getting thrown out of the truck had been the stunt. Just not when it had happened and without warning or a plan.
“I’m worried,” her father told her.
“I’ll be fine.”
“This time.”
She winced, and not from pain. “Now you sound like Mom.”
Her father, a handsome man only a few months from his sixtieth birthday, brightened. “Thank you, Victoria. That’s such a nice thing to say.”
Given her weakened condition, she let that comment slide. Honestly she didn’t have the strength to deal with it right now, even though she knew her father understood exactly what she’d been saying. He was only pretending to not get it.
“If you’re going to act like that, you should go,” she said, then amended what could be construed as a catty comment into something more kind. Mostly because she only had the emotional energy not to get along with one of her parents, and her mother had already claimed that prize. “Besides, they’ll be bringing my drugs any second. I plan to surrender to sleep, so I’m not going to be very conversational.”
As if to prove her point, one of the nurses walked in with a syringe. “Ready to feel better?” he asked cheerfully.
“Yes, and let me say, you’re my favorite person ever.”
He winked. “I get that all the time.”
He slowly injected whatever the medication was into her IV. Victoria drew in a shallow breath as she waited to feel that first blurring of the edges of the pain. Modern medicine was a miracle she intended to embrace.
The nurse left. Milton took her good hand in his.
“I’ll let you rest,” he told her. “But I’ll be back later tonight.” He squeezed her fingers. “Tomorrow, when you’re released, I’m taking you home.”
Ugh. Victoria knew that her father wasn’t talking about the pretty condo he’d bought her when she’d turned twenty-one. Instead he meant the house where she’d grown up. The one where her mother still resided.
“I don’t need to move back,” she protested, feeling the first telltale easing of the pain. “I have a few bumps and bruises.”
“Along with a broken leg. And what about your ribs? You can barely move without wincing.”
“I have zero pain tolerance. I’m a total wimp.”
He frowned. “You’re tough and stoic. If you’re showing signs of pain, it’s bad. You’ll stay with your mother and me until you’re well enough to be on your own.” He pointed at her. “I mean it, Victoria. You don’t get a vote.”
Her father was rarely stern with her, so his sharp tone warned her he wasn’t kidding. And she knew from twenty-four years of experience that arguing with the man would get her nowhere. Milton didn’t take a stand very often, but when he did, he was the immovable object.
“I wish you loved me less,” she murmured, feeling a little floaty and stumbling over her words. “Okay, I feel drugs. Let me enjoy the experience of breathing without, you know, wanting to die.”
Oh, baby girl. You’ve always been difficult.”
“I know. It’s one of my best qualities.” Her eyes drifted closed. “Love you, Dad.”
“Love you more.” He kissed her cheek. “I’ll see you tonight.”
1) Tell us a little bit about yourself. How did you get into writing?
I’m Barry Maher and I may be the only horror novelist who’s ever appeared in the pages of Funeral Service Insider. In my misspent youth, my articles were featured in perhaps a hundred different publications and, in order to eat, I held nearly that many different jobs. Sometimes he lived on the beach. Not in a house on the beach. On the beach. With the sand and the seagulls.
Three hours into a truly excremental job—standing on a roof in the rain, holding the frayed cord of a toilet de-rooter—I thought I hit on a way for my writing to support me. I’d simply write a best-selling, critically-acclaimed novel. Think Sherlock Holmes meets Hamlet, if Ophelia was oversexed, homicidal and undead.
Surprisingly (to me anyway) that plot didn’t work out. But it got me to quit the rooter company. And eventually it led to my first novel, Legend. Which somehow—even I’m not sure—led to me telling my stories around the country and around the world, and to having an actual bank account. And ultimately toThe Great Dick: And the Homicidal Demon. Which led to me doing this interview with author Anthony Avina.
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2) What inspired you to write your book?
I was speaking on an Asian cruise when I realized I could no longer figure out what the hands of the clock meant. The next day, during a presentation, I introduced the ship’s captain. Twenty minutes later I picked him out of the audience and asked him what he did for a living. (The uniform did look a tad familiar.) That same day, I gave up trying to understand foreign currency. Even American money was getting tricky. In Viet Nam, I handed a vendor two hundreds and a five for a $7.00 baseball cap. It was a very nice cap.
Back home, the first thing my doctor did was have me draw a clock face at ten to three. The second thing he did was take away my driver’s license. Then he sent me for an immediate MRI. The nurse there wouldn’t comment on the results, but when I asked where the restroom was, she said, “I can’t let you go in there alone.”
I explained that bathroom visitation was a particular expertise of mine.
“Like telling time?” she asked. “You need to talk to your neurosurgeon.”
“I have a neurosurgeon?” Just what I always wanted.
I also had a brain tumor—the size of a basketball. Or maybe the neurosurgeon said “baseball.” I wasn’t tracking too well just then. Still, I quickly grasped he was planning on carving open my skull with a power saw.
“I don’t really need to tell time,” I said. “Or I can just buy a digital watch.”
Everyone said my neurosurgeon—or, as I thought of him, “Chainsaw Charlie”—was brilliant. My problem was that I’ve spent my life around intelligent people, and I’ve always believed human intelligence was overrated. To me, on a scale of everything there is to know in the universe, the main difference between Einstein and Koko the Wonder Chimp was that Einstein couldn’t pick up bananas with his feet. (As far as I know.)
Still, I went under the knife—or in this case, the power saw. Maybe I had a seizure. The doctors weren’t sure. That might explain what happened. Because I came out of the surgery with Lady Gaga singing non-stop in my head and an unforgettably vivid story, like a memory of something that I’d just witnessed.
Reacting to the surgical intrusion, I suppose my brain could have given me a dream or a story, maybe even Citizen Kane or a nice rom/com or a few episodes of Seinfeld. But no, I got open crypts, bizarre spells, sudden death and the Ralph Lauren version of the Manson Family. “How did my operation go? Well, I’m did pretty well, but the people in my head—or wherever they were—they went through Hell.”
Lady Gaga went away after a day or so. But the story stayed with me. And when I was able, I spent a couple of years putting it all down, working it out, getting it just right. And that became The Great Dick: And the Dysfunctional Demon.
3) What theme or message do you hope readers will take away from your book?
To me, the message is the experience the reader goes through. Like any experience, it can change us, even if it’s just a little. The entire book is an attempt to generate that experience. To evoke one response or another. The response I’m after keeps changing—curiosity, anticipation, laughter, fear, dread, you name it. More than one reviewer has called The Great Dick: And the Dysfunctional Demon a rollercoaster ride. By the end, I would hope the response is understanding, satisfaction, and maybe even a tiny twinge of enlightenment.
4) What drew you into this particular genre?
I love to scare the hell out of readers and to scare myself while I’m doing it. Plus horror opens up wonderful opportunities for humor and satire. I love horror. I love suspense. I love humor. Putting all those together in an accessible, conversational style seems natural to me.
5) If you could sit down with any character in your book, what would you ask them and why?
That’s simple. I want to sit down with either the character who calls himself Steve Witowski or with Jonathan O’Ryan. I’d ask either of them the same two questions. What did they learn from what they’ve been through? And what would they do differently if they had the chance to do it all over again.
6) What social media site has been the most helpful in developing your readership?
Most helpful have been the bloggers and podcasters like you, Anthony, who’ve raved about the book. Your followers trust you. They know your track record. So what you and other bloggers and podcasters say has far more weight to your readers than what some unknown critic in a newspaper might say. We’ve got fifteen prominent authors who’ve raved about the book. But if Author Anthony Avina hated it, your readers wouldn’t buy it.
7) What advice would you give to aspiring or just starting authors out there?
Write. Turn on your computer or pick up your pen or finger paint it on the wall, but write. Being a writer is a job and you should treat it that way. Write and then rewrite. Then rewrite again. That’s the only way you get better.
If you wait around for inspiration, you’re still going to be waiting while thousands, literally thousands of other writers, are finishing their books.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I’m currently working on a ghost story. A lawyer has just lost his wife after a marriage so troubled that—though he would hate to admit it—her death was actually a relief. Returning from her funeral, he finds her standing in the middle of their living room. After a moment, he realizes it’s a hologram. But there’s no projector and no sign that anyone has broken in.
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About the Author
Barry Maher’s career has been anything but ordinary. He’s been an award-winning (if modestly so) poet, a magazine writer with bylines across the country, a speaker for some of the world’s largest corporations, and a man who once lived literally on the beach, seagulls and all. His syndicated column Slightly Off-Kilter and his darkly comic fiction reflect that same unpredictable spirit. Media appearances range from The Today Show to CNBC, with features in The Wall Street Journal and even Funeral Service Insider. Connect with him at BarryMaher.com or on Facebook.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A family’s journey to a better life takes a dark turn in author Lawrence P. O’Brien’s “Swallowing the Muskellunge.”
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The Synopsis
London Oxford was prepared to do whatever it took to get to the promised land, but can he get his family safely across the border?
Young Abner Oxford has kept something of his mother’s. Something else needs what he has. It’s patient, can be quite disarming, and has a monstrous, fierce appetite. Abner and his family, along with a caravan of sleighs, are moving north.
The frigid cold and the blinding white have made the adults slow, weary, and numb. Very few questioned the drag marks in the snow or the mounting number of disappearances. Abner’s father felt like that—until it woke him up.
Fans of The Terror, the Fisherman, and El Norte will be hooked.
The Review
This was such a rich and compelling historical fiction meets folklore horror novel. The powerful imagery of the harsh, wild landscapes the characters traverse, along with the tension that fills the air in every chapter, kept readers on the edge of their seats. At the same time, the balance the author found between the violent supernatural events of the story and the need for survival that takes center stage in the narrative made this novel soar.
As a fan of fantasy, horror, and folklore storytelling, I loved the idea of the Wìsakedjàk being such a powerful force in the worlds of North American folklore and culture, and taking on a physical presence in the wilds of this setting. Yet it was the powerful themes of this book that stood out. The exploration of Manifest Destiny at the expense of indigenous people, as well as the struggle for identity, is what many people in the Black community felt when they attempted to create their own path in life, but felt the confines of labor for others take control. The exploration of freedom vs servitude, as well as the freedom of nature versus the conquest of land and the rights mankind has to dominate the world, made this narrative so compelling and thought-provoking.
The Verdict
Harrowing, dynamic character arcs and powerful themes, author Lawrence P. O’Brien’s “Swallowing the Muskellunge” is a must-read historical fiction meets folklore horror novel. The emotional resonance readers will have with these characters, the struggles they endure, and the depth of survival they must go through highlight the hardships of life in this era, while also bridging the gap by infusing supernatural terror into the narrative fabric that feels strangely natural. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
Lawrence was raised across from a hill shadowing Black Rapids Creek in Ottawa, Canada. The towering toboggan hill fed an early appetite for challenge, tall tales and doing the impossible. The black forested river valley set his dreams.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A young woman in grief begins a project to tackle mental health and help others in author Kimberly Fiese Yule’s “To Save One.”
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The Synopsis
Find solidarity in loss, friendship, and the fight to bring light into the darkest moments.
“A brave and tender story that speaks to the heart of every teenager, and every parent who loves one.”
When Evy loses her boyfriend to suicide, her life unravels in grief and unanswered questions. With the help of her best friend Henry and her classmate Chloe, who carries her own hidden struggle, Evy channels her pain into The Happy Face Project, a senior film that dares to talk openly about mental health.
What begins as a school project becomes something bigger: a mission to break the silence, to offer hope, and to save at least one life before graduation. Along the way, Evy, Henry, and Chloe discover that healing is found in music, courage, and in standing together when it matters most.
For anyone searching for connection and for every parent or educator who wants to better understand what today’s youth are facing.
A story of heartbreak and resilience, it offers both a mirror for young adult readers and a conversation starter for families, schools, and communities.
The Review
This was such a powerful and moving read. The author did an incredible job of delving into a subject that is both sensitive and heartbreaking, and did so with a reverence and care that truly resonated with readers. The powerful imagery that sets up each chapter’s scenery and tone is compelling, and the depth of world-building the author puts into the story itself speaks to the themes of this story, telling a story that weaves into the fabric of all of our lives.
Ultimately, this story served as a testament to thought-provoking themes and empathetic characters. The tragic circumstances of Briggs’s story and how his loss impacted so many people in the story were equally on par emotionally as protagonist Evy’s exploration of grief and loss, and the raw moments of her grief that pop up throughout the book are truly relatable to anyone who has ever felt grief like that before. The honest and sympathetic portrayal of mental health and those who suffer from this subject matter, including both those who have become victims of this mindset and those who have been left behind as a result, all have a voice in this story and bring the emotional resonance that makes this story so engaging.
The Verdict
A compelling, engaging, and heartfelt YA drama, author Kimberly Fiese Yule’s “To Save One” is a must-read novel. The book also touches upon other themes naturally, including overall health struggles and the impact of a support system, as well as creativity in times of grief and how music can connect people. The book can be haunting at times, and definitely heartbreaking, and yet it is with a strong and compassionate voice that the author brings this rich story to life. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
Kimberly Fiese Yule believes life is better with sand between your toes, music in your ears, and a story that makes you feel seen. A mother of three, her greatest pride and joy, she is also a former women’s health nurse practitioner and a lifelong wanderer. Depending on the day, she calls Texas, California, or the Caribbean home, always finding inspiration in sunshine, connection, and the beauty of everyday moments.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Author and poet G.H. Mosson shares poems and vignettes that explore the things that have shaped us in the book “Singing the Forge.”
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The Synopsis
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Singing the Forge explores the singing of what’s shaped us and what we’ve shaped for ourselves. Through poems at times personal, plus vignettes from men and women of the past two centuries in the book’s middle section, these poems offer mirrors of becomings. Across free verse, meter, and poems of organic form, you might just see yourself.
The Review
Immediately, I was drawn to the author’s ability to create poems that felt very lyrical in nature, bringing a story-like quality to each poem that conveys a theme and evokes an emotional response in the reader. The powerful imagery these poems delve into is compelling, as seen in the poem “Domination of Tulips in Washington D.C.,” where Rock Creek Park comes alive on the page and petals become doorways to the heart of the flower.
The draw of this collection lies in the strong, powerful themes of forging and awakening that the poems explore. The concept of forging not only brings to mind the idea of creation, but the idea of reshaping things and reinforcing things through fire, a visual and visceral theme the author uses to connect readers with the raw poetry that calls for those moments o f personal change and growth through trials and tribulations, both on an individual scale and even some on much more cosmic scales, such as the idea of time and memory itself taking on whole new meanings.
The Verdict
Thoughtful, moving, and engaging, author G.H. Mosson’s “Singing the Forge” is a must-read collection of poetry. The deliberate, emotive, and introspective nature that the author brings to each poem, along with the almost lyrical and passionate style of writing, will stay with readers and keep them coming back time and again to delve into this collection. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
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About the Author
G. H. Mosson’s poetry has appeared in The Tampa Review, The Lyric,
Smartish Pace, California Quarterly, and has been nominated four times for the Pushcart Prize.
This is his sixth book of poetry. For more, see www.ghmosson.com
1) Tell us a little bit about yourself. How did you get into writing?
I am currently a sophomore in high school, and The Pinewood Prowler is my debut novel. I have always loved reading and stories, but I only discovered my true passion for writing a few years ago. Since then, writing has been an outlet for me and I have been extremely invested in it, even attending Dartmouth’s Summer Scholars creative Writing course this past summer. I began writing the Pinewood Prowler when I was around 13 without any intention of publishing it. About a year later, I decided to pick it back up and got it published at the age of 15.
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2) What inspired you to write your book?
Last year, I had a rough draft of my current book that had been untouched for almost a year. As a young teen, I wanted to develop the story and share a piece reflecting the intentions and feelings of teenagers.
3) What theme or message do you hope readers will take away from your book?
The message I hope readers take from my book is to be careful what you wish for. Curiosity can be both powerful and dangerous, and sometimes the truths we seek are better left undiscovered. And beneath the surface of familiarity, there lies deception. This message encourages readers to be curious, but also warns against the dangers that can arise from such curiosity.
4) What drew you into this particular genre?
I was drawn to this particular genre due to my love for the suspense and adrenaline evoked in the horror genre and my desire to create a mystery for the readers, urging them to read on due to curiosity and suspense. I have always loved reading and writing in a thrilling and suspenseful tone, and wanted to share this with others.
5) If you could sit down with any character in your book, what would you ask them and why?
I would sit with “The Pinewood Prowler” because I would like to see into the criminal mind and what truly compels a serial killer to kill. I believe this is my most complex character, as the Pinewood Prowler has the ability to blend into society while also murdering at night. I would ask, “What thoughts went through your head when you were killing your first victim, and have you ever felt remorse?”
6) What social media site has been the most helpful in developing your readership?
Since this is my debut novel, I am just starting to create social media platforms for this book, but I will keep searching for ways to spread my book.
7) What advice would you give to aspiring or just starting authors out there?
As this is my first attempt and I am only 15, the only advice I believe I am credible to give is to just go for it. If you have an idea and want to write it, there is no harm in sharing your work.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I am currently working on growing my writing and am exploring new ideas for my next book. I am certain that I want to continue developing as an author and am excited to see what is in store for me as a young writer.
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About the Author
Audrey Zeigon was born in 2010 in New York City. From an early age, she developed a strong passion for reading and horror. These interests inspired her to write her debut novel, The Pinewood Prowler. Audrey has enjoyed immersing herself in this story and looks forward to sharing it with her readers.
