I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Author Albert Seligman reintroduces the classic tale of Arabian Nights using original artwork and translations, as well as over 50 unique illustrations, in the book “SCHEHERZADE: A TALE FROM THE ARABIAN NIGHTS.”
The Synopsis
“No one knows where the tales were written, except that they came out of the Far East, India, Arabia and Persia. Haroun Al Raschid, who was called The Just, was a real Eastern monarch who lived in Baghdad over eleven hundred years ago, about the same time that Charlemagne was King of France. We can believe that the tales are very old, but the most we know is that they were translated from Arabic into French in 1704-17 by a Frenchman named Galland, and that the manuscript of his translation is preserved in the French National Library. American boys first had the chance to read the notes in English about the time President Monroe was elected.” (1817) (The Junior Classics, Volume 5: Stories that never grow old, Editor William Patten, 1912).
SCHEHERAZADE
A TALE FROM THE ARABIAN NIGHTS
Dulacebooks’ new Arabian Nights series presents these tales decorated with the illustrations from the original editions of the Victorian and Golden Age. Over fifty different illustrators’ versions of these stories are reproduced here, fully restored and many in full color. These are the finest examples of the artists and illustrators of the Arabian Nights, including-
Arthur Rackham, Edmund Dulac, Kay Nielsen, René Bull , Maxfield Parrish, William H Robinson, Thomas H Robinson, Charles Robinson, Thomas Mackenzie, Walter Crane, Louis Rhead, Helen Stratton, Virginia Frances Sterrett, Elizabeth Mackinstry, John Gilbert, HJ Ford, Edward J Detmold, Eric Pape, AE Jackson, Willy Pogany, Milo Winter, Monroe S Orr, Charles Folkard, Walter Paget, William Stang, JD Batten, Frances Brundage, Gustav Dore, FOC Darley, William Harvey, the Brothers Dalziel, and many others.
The first book in the series is how the 1001 nights begin, with Scheherazade and her sister weaving the tales to her new husband Schahriar, the Sultan. The Tales in this edition are:
The Sultan and his Vow
The Fable of the Ass, the Ox, and the Laborer
The Story of the Merchant and the Genie
The History of the First Old Man and the Hind
The History of the Second Old Man and the two Black Dogs
The Review
This book was so beautifully restored and written. The beautiful illustrations on each page were so unique and compelling, allowing the reader to feel immersed in these stories and the legends being told. The overall narrative of this sultan and his cruel turn and the young woman determined to find a way to stop his cruelty was a great way to allow the other stories to come to life, and the father’s tales helped shape the cruel nature of the world around them as he tries to desperately save his daughter from a choice that could cost her everything.
What really made this story shine was not just the narrative and unique characters, but the cultural exploration and history that went into the book itself. The stories being told come from centuries before, and each illustration and translation of the original texts showcase the level of depth and detail the author put into bringing these classics to life once more. The imagery depicted in the book coming from both the Victorian age and the Golden Age made the stories feel more mythological in a way, and the lessons taught through these fables felt even more impactful in a world seeing so much injustice at the moment.
The Verdict
Culturally-impactful, thoughtful, and engaging, author Albert Seligman’s “SCHEHERAZADE: A TAPE FROM THE ARABIAN NIGHTS” is a must-read restoration of a classic collection of fables. The rich history and context around these stories, and the heartfelt underlying story of a father trying to protect his daughter from a cruel fate helps elevate the powerful imagery and high stakes these tales represented. If you haven’t yet, be sure to grab your copy today!
Rating: 10/10
About the Author
I am a lifelong fan of illustrated books and magazines and passed many pleasant hours collecting books and sharing information and images with fellow collectors and dealers. I was especially interested in the “Golden Age of Illustration” between 1875-1925. I was a strong collector of Edmund Dulac illustrated books, and was able to photograph the complete collection of his ‘American Weekly’ magazine illustrations from the San Francisco Academy of Comic Art owned by Bill Blackbeard. ‘The American Weekly’ was the Sunday supplement for the WR Hearst newspaper chain, and boasted over 50 million readers in over 20 major markets. The complete collection of 106 illustrations is now housed at The Ohio State University in the Billy Ireland Comic Art Museum. These ‘American Weekly’ illustrations have rarely appeared in print since their publication, and this is the first complete edition.
These print editions and eBooks are intended to make more of Edmund Dulac’s beautiful watercolors and illustrations available for everyone to enjoy. The publishing business has changed considerably over the last 30 years and by taking advantage of digital technology I have been able to publish many of his famous and lesser known illustrations in my editions.
The restored collection of all 106 American Weekly front covers is available as “The American Weekly Covers of Edmund Dulac- 100th Anniversary Edition” as both an eBook and paperback. A fully restored crop of each illustration is available in the series of six smaller books, also published as an eBook or paperback. These are grouped by themes, and includes the original newspaper caption or story, when available. Some original Dulac artwork and sketches are also included.
The final publication of the series is “Edmund Dulac His American Weekly Collection” written with an introduction by Ann Hughey, who wrote the bibliography of Dulac’s book illustrations. This features the illustrations cropped and fully restored, with the original newspaper captions. All of the final series ‘Tales from the Arabian Nights’ from 1951 stories are also included.
As I wind down editions of Dulac’s ‘American Weekly’ artwork, I’ll be publishing more of other Golden Age Illustrators. “Arabian Nights Illustrated” is my first book of the series including fifty other illustrators who illustrated editions of the 1001 nights in English language editions between 1800-1950. The illustrations follow the history of printing images in books, from the earliest copper engravings through woodblocks and the development of color printing through photoproduction. I published six more Arabian Nights books, all with illustrations by Victorian and Golden Age artists and illustrators. All are available as both paperbacks and eBooks.
If anyone is wondering if I am the same author of “The Sport Band System”, indeed I am. Unfortunately, the Sport Bands are no longer being produced. After writing this instruction manual I spent my last years in the training profession at UCSF in the Dept. of Neurology. There I had the privilege of working with medical professionals and patients developing physical training rehabilitation programs for MS, stroke, PD, SCI and other neurological related maladies. I retired in 2008 and now I am enjoying my “Golden Years” working with the Dulac eBooks project.
