I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A young middle school aged boy finds himself thrust into a harrowing adventure when fantasy and horror creatures once thought fictional bring danger to his family in author R.J. Parker’s novel “Requiem, Changing Times.
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The Synopsis
Clint and Corbin are having a weird day. Best friends for life, things are getting a little strange around their town, and at school. When they’re followed by a strange man looking for Clint and later attacked by an imp, it makes sense to retreat to the safety of home. But when strangers from another world, Banks and O’Neil, arrive with their medley of allies, things get even weirder. Why are they here? What do they want? And what is The Requiem that everyone keeps talking about? As Clint and his friends and family are drawn deeper into a thrilling adventure, only one thing is for sure. They may not be getting out alive. And class with Mrs Christenson will seem like a walk in the park after this.
The Review
The author does a brilliant job of blending several genres together in a cohesive way. A fusion of fantasy and horror with some elements of sci-fi, mystery and suspense in the YA genre umbrella so to speak make this novel really shine brightly.
Fans will get a fantastic cast of characters to root for and stand behind, not least of all protagonist Clint, a young boy suffering from a profound loss and getting into trouble at school and with his new family unit when he is suddenly thrust into life or death stakes and adventures, forcing him to reevaluate his priorities and the choices he had been making.
What really stuck out though was the author’s flipping of the script in the YA fantasy/horror genre. Most often young protagonists must venture directly into another realm in a fantasy setting, but here we see the fantasy realm coming to Clint first, showing what would happen if these fantastic creatures and horrifying threats entered the real world in the midst of global upheaval.
The Verdict
This lengthy read is the perfect new fantasy/sci-fi drama for anyone who loves the YA genre. A great pairing of mystery and suspense and larger than life characters all culminate in a shocking finale that will have readers on the edge of their seats and leaves the door open for future installments in this exciting new series. If you haven’t yet, be sure to grab your copy of “Requiem, Changing Times” by R.J. Parker today!
Rating: 10/10
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About the Author
Russell Parker was born in Bountiful, Utah. As his father was safety manager he had to move around until his senior year of high school, when he came to Cache Valley, Utah to stay. He married the most wonderful woman in the world and they are the parents of four fantastic kids, with one crazy dog.
Russell played all kinds of sports and was an outdoorsman until an accident brought him to writing. A writer since high school, encouragement brought his stories to life.
1) Tell us a little bit about yourself. How did you get into writing?
I grew up in a Catholic household, but being Native American, my Catholic upbringing was much different. We were more open-minded about communicating with spirit and feeling energy. We had a unique combination of both spirituality and religion. However, I never entirely agreed with the Catholic faith. I used to pick and choose what I believed in and put my own unique spin on things. For me, writing was something I enjoyed even at a small age, which I know is clichéd. Almost every writer will say they started writing stories the second they could pick up a pencil, but I had a harder time learning to read and write. I stuck to making picture stories because I barely knew how to formulate a simple sentence or how to write my name even at six-years-old. I got a grasp on my writing at eight, but my reading skills were much to be desired. However, writing helped with my reading because I’d read my own short stories to my uncle. I wrote my first novel at twelve, which was an awful time traveling story about ninjas (haha!). However, the novel I wrote at fifteen, I ended up publishing at twenty. Writing was something I always knew I was meant to do with my life.
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2) What inspired you to write your book?
For The Doctor’s Estate, it was actually the publisher and friend of mine, Jesus Martinez, who approached me about the plot. He was the original creator of the entire thing, and he wanted me to write the novel for him. I like to spin it as I was the ghost writer for a horror novel. We worked together before on a documentary about a local haunted house called the Wolfe Manor that was unfortunately demolished, so he was familiar with my writing. I added on to his original plot a bit because he allowed me to have complete creative control, but I needed to keep the essential theme the same. It was a collaborative effort, and none of this would have happened without him.
Without giving too much away, my inspiration for the mental illness aspect of the book was that I wanted the reader to sympathize with Ted, and I wanted to add that struggling with any kind of mental illness is always far more gut-wrenching than a ghost in your house. At least in my experience. For myself, I found the fear of possibly losing your sanity to be far more horrifying, and I know there would be other readers who would feel the same. Struggling with your inner thoughts is no joke, and I wanted to stress the back-and-forth that some people go through. I wanted to leave the reader guessing if it was all real in the first place in order to open a discussion about reality and how bendable it is. Also, someone who is going through a neurodegenerative condition like Alzheimer’s or a mental illness like depression, anxiety, or anything else isn’t something to be fearful of. Like you said, they are far more likely to be the victim than the perpetrator.
3) What theme or message do you hope readers will take away from your book?
The creator of the story, Jesus, wanted to stress the theme of the fight between the light and the dark. You can’t have one without the other, and I too agree with that. You cannot know happiness without sadness. We need contrast in order to learn and grow, which is how Humans are. We live in a world of polarity. We are such creative creatures, but at the same time we can destructive. I wanted the readers to see the polarity we live with on a daily basis, and you decide which reality you want to live in. Like I said before, realities are entirely bendable depending on your perspective and how you choose to see life. Ted’s struggle with his thoughts was one of my favorite parts of this story because it is something we can all relate to.
4) What drew you into this particular genre?
Horror has always been a favorite of mine growing up. In fact, my favorite movie of all time when I was a kid was The Ring, and I would reenact all the scenes. I was a morbid child growing up since all I ever watched were horror movies. I never actually sat down to read the genre. I find that I don’t write the genre that I read, and I’m not sure why that is. I read a few horror stories and thrillers as research for The Doctor’s Estate because I needed to educate myself on the style. How do you write a scary scene with a ghost anyway? At the same time, I found what I wanted to change about the genre to make it more unique. I tend to combine genres into one, and each one of my works has a bit of a philosophical twist to it. At least, I try to implement that.
5) If you could sit down with any character in your book, what would you ask them and why?
That’s a tough one! I thought about Ted for a second, but honestly, I would talk to Monica. She jumped on board from the start about the possibility of the paranormal, and I would love to ask her how she could do that without second-guessing her sanity or thinking if it was at all real or not. For myself, I doubt so much. I second-guess every little thing in my life, and I have had bizarre experiences that I cannot explain. I get “knowings” about things or people that I couldn’t possibly know, and I struggle with knowing if it is a serious mental illness or if I am truly doing what I am doing. I am a lot like Ted in that I have to compartmentalize and explain everything logically, and sometimes that isn’t possible. That’s when I am shaken to the core. What advice can Monica give me for that?
6) What social media site has been the most helpful in developing your readership?
Aside from my own blog, I would say Facebook has helped me greatly. Mostly, because I spend the bulk of my time on there, so I am always plugging my novels. Being an author is a full-time gig, and you have to be prepared to market and promote not only your books, but yourself. Knowing your audience is key because maybe you write young adult contemporary novels, so your readership is on Instagram more than Facebook. Therefore, you would have better luck there.
7) What advice would you give to aspiring or just starting authors out there?
Honestly, I consider myself barely starting out despite my three publications. Only because I have yet to sign with a literary agent. That is my goal, but that takes time and a lot of hard work. My advice would be: be open to learning new unique ways to break into the industry. It can be unforgiving and harsh just like any other industry out there. You will develop a thick skin, trust me. You are going to have to, so never give up. Confide in other writers because they are going to be your lifeline, and connections are everything. Most writers have social anxiety like myself, but put yourself out there no matter how frightening it is. You never know what will happen, and I would know because that is how I was able to publish The Doctor’s Estate. Building a writing career you can live off of is like building an empire. It takes time, so be patient. Acquire as much knowledge as you can, and when you feel you know everything, acquire more. There is always more to be learned and always room for growth in your writing. Writing is a form of art, and it is entirely subjective, so be patient with your work because the energy you put into it is worth it. No matter whether your go the traditional route or the self-publishing route, your art is always worth it.
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8) What does the future hold in store for you? Any new books/projects on the horizon?
I am currently in search of a literary agent for a dystopian novel I wrote. When I say dystopian, most think of the young adult novels like Hunger Games, but this is more of a literary piece with some commercialism in it called Upmarket fiction. Like The Doctor’s Estate, it has a philosophical twist to it. It is an allegorical novel based off of the United States’ political climate. Other than that, I am outlining a new novel, which is a sci-fi romance, and I am also applying to the MFA program at Fresno State. Fingers crossed I get in!
Heather Quinto is a Pascua Yaqui Native, and she resides in Fresno, California. She has a BA in Creative Writing/English with a minor in Marketing from Southern New Hampshire University. She is a self-published author of the paranormal/fantasy novel, Inhuman, and a spiritual/romance short story titled In Love and Death. Recently, she published a horror novel with TruRealm Media titled The Doctor’s Estate. Currently, she is seeking representation for her unpublished novel, Eleutheria, which is an adult allegorical novel on today’s society that has universal truths deeply rooted within its themes.
Heather always had a strong urge to write and create imaginative stories ever since she could pick up a pencil. She started off by drawing picture books when she was four before transitioning to writing short stories when she was eight years old. Heather’s main inspiration behind writing is to be able to leave the greatest impact on whomever picks up one of her books by influencing a more positive and spiritual outlook on life. She strives to create fresh and original stories that grasps a reader’s attention, and hooks them with her strong and compassionate characters. Heather brings in unique storylines that no one has ever read before, and this is what caters to her originality. Her writing uses humor to teach self-confidence by encouraging her readers to laugh at themselves every once in a while. She writes of relatable hardships that help her readers feel less alone, and makes them feel more accepted.
Although, Heather’s current target audience are teens, she doesn’t stick to one given genre or age group. Her genre varies from book to book. She is currently working on a new science fiction novel, and has a mystery/romance novel sitting in her documents waiting to be edited. Heather’s ultimate goal is to be a major impact on the world for the better while teaching the morals and values passed down in her tribe. She hopes that her books challenge others to think both philosophically and spiritually like her tribal elders push her to do. She also strives to eventually make a comfortable living off of being a full time writer.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
Gods and monsters beyond comprehension drive people to madness in author Travis Liebert’s novel “Things Undone: A Collection of Horror Stories (The Shattered God Mythos)”.
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The Synopsis
All things unknown and unknowable are coming to light…
Creatures that never should have existed in the first place return to our world.
Children harbor broken gods, spirits prey on the weak, and men are subject to their most base instincts as madness overtakes them.
Everything comes undone as the world is picked apart by gods and monsters beyond fathom.
Get this collection of 18 horror stories now and discover the terrors that lurk within.
The Review
This collection of horror stories is wonderfully presented. A chilling mixture of suspense, scares and creature feature storytelling, the collection brings some of the darkest and scariest tales to life in expert detail.
The author does a fantastic job of bringing well rounded characters to life in a very short amount of time, as each tale delves into new creepy avenues that readers will be shocked to read. From the first pages where a serial killer’s tale takes an even darker turn, to a young boy who discovers a local legend may hold more weight than he could have imagined and much more, this collection does a great job of creating a spine-chilling atmosphere with every story.
The Verdict
This is a must read anthology for any horror fan! One of 2019’s top anthologies, author Travis Liebert’s “Things Undone” is a whirlwind read for horror fans everywhere. A fantastic blend of character development, a well built mythos and plenty of horror filled endings that will scare and shock readers, horror fans should grab their copies of this book immediately for the holiday season.
Rating: 10/10
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About the Author
Travis Liebert is a 20 year old Louisville native and member of the widely invasive species “Homo sapiens sapiens.” His hobbies include reading, writing, and anything else that indicates he’s intelligent and literate. He went to Trinity High School where he openly brandished his repertoire of useless knowledge as captain of the quiz bowl team. He is now a perpetually absent student at the University of Louisville. You can find him on instagram as @travisliebert.
His email is travismliebert@gmail.com. Please refrain from sending him hate mail, as he would prefer to just meet you in person and get punched in the face. If you would like to kick his teeth in, please contact his agent to arrange a meeting.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A harsh world where food is scarce and two young women must decide what they are willing to do in order to survive and whether they can help others survive in the process in author Cody T. Luff’s novel “Ration”.
The Synopsis
Cynthia and Imeld have always lived in the Apartments. A world where every calorie is rationed and the girls who live there are forced to weigh their own hunger against the lives of the others living in the building. It’s a world where the threat of the Wet Room and Ms. Lion always lingers, and punishments are doled out heavily both by the Women who oversee them and the other girls.
When Cynthia is wrongly accused of eating an “A” ration which leads to the death of another girl, her peers punish her harshly. In seeking revenge, she is forced from the only home she has ever known, out into the broader world with one of the Women—Ms. Glennoc—who has tormented her for years. Hunger mixes with politics, intrigue, and social status, and Cynthia needs to figure it out quickly if she’s going to survive and make it back to the Apartments to save Imeld.
With her friend and Ms. Glennoc gone, Imeld is lost. Ms. Tuttle forces her to step into Ms. Glennoc’s shoes, taking on the role of a Woman in charge of all the girls, the punishments, and the Wet Room. The new role feels wrong, especially as Ms. Tuttle’s behavior becomes more and more erratic. Imeld can’t turn her back on the other girls in the Apartments, but how can she save them when she isn’t sure how to save herself? If they rebel against Ms. Tuttle and the other Women, will they starve?
Set in the far future, Ration is an unflinching take on the ways society can both thrive and go wrong as the pressure to survive builds.
The Review
This book was incredibly well written. From the novel’s first pages, readers get a sense of being in the opening scene of Stephen King’s Carrie, if Carrie took place in the world of author Margaret Atwood’s The Handmaids Tale. A world ravaged by an unknown virus that has taken the lives of all men in the world, and the women left created a brutal system of survival like no other.
The two main perspectives shown throughout the novel are stark contrasts with one another, as we see the innocent protagonist Cynthia thrust into a cruel reality and fighting not just to survive, but to find a way to punish those who made her and her fellow “girls” suffer. Then there is Ms. Tuttle, the strict leader of the Apartments, who follows the rules to a T but finds herself caught between a secret of her own and the harshness of her mother and the political world they come from.
A truly gripping tale, the novel does an excellent job of delving into the despair of a dystopian novel while inciting horror and terror into the actions and ways in which the survivors of this world have adapted, where flesh and lower class “girls” are a commodity for the higher class “women” to use as they please, and even amongst advocates for change, no one can truly be completely trusted.
The Verdict
This is a breathtaking thriller and horror adventure like no other. While the book has it’s gruesome moments when delving into the specific “payments” made by the girls, it is the pacing of the author’s writing that sells the horror aspect of this novel. Combine this with the despairing the reader feels in the dystopian setting, and readers can expect a truly engaging read that is sure to become a cult classic in the genre. If you haven’t yet, grab your copy of “Ration” by Cody T. Luff today!
Rating: 10/10
About the Author
Cody’s stories have appeared in Pilgrimage, Cirque, KYSO Flash, Menda City Review, Swamp Biscuits & Tea, and others. He is fiction winner of the 2016 Montana Book Festival Regional Emerging Writers Contest.
Cody teaches at Portland Community College and works as a story editor. He completed an intensive MFA in Creative Writing from Goddard College. Cody grew up listening to stories in his grandfather’s barber shop as he shined shoes, stories told to him at bedsides and on front porches, deep in his father’s favorite woods, and in the cabs of pickup trucks on lonely dirt roads. Cody’s work explores those things both small and wondrous that move the soul, whether they be deeply real or strikingly surreal.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
TRIGGER WARNING: This novel contains story elements involving physical and mental abuse (including those involving children), as well as themes of domestic abuse. If these things are too upsetting or triggering for readers, reader discretion is advised.
A young man begins the painful journey of recovery by sharing the gristly details of a hellish childhood that changed him forever in author Stephen Ross’ novel “Memoir From Hell”. Here is the synopsis.
The Synopsis
A child’s life should be idyllic: filled with friends, abundant joy, and carefree days of endless possibility. But that was not to be for Jake Malloy and his little sister, Dory. Their lives traversed paths upon which no child should tread.As a young adult trying to overcome the past, Jake chronicles the events that destroyed the possibilities and turned life for the Malloys into a living hell. Will Jake and Dory ever be able to lead normal lives? Only time will tell.A fictional memoir not for the faint of heart.
The Review
This is a painful yet important and well written novel. A top read contender for best literary fiction/drama/thriller, author Stephen Ross has expertly brought the heartbreaking reality of domestic abuse and childhood trauma to life. Studying the effects of abuse on the mind a young person who grew up in a truly harmful environment, the author creates realistic and relatable characters that bring the raw emotions of that situation to the forefront, instantly connecting with readers.
The themes and story elements of the story are both powerful and hard to read at times. Yet in this very quick read, the message that comes through has never been more important than it is today, as violence (especially violence against children and domestic violence), seems to be getting worse and more rampant, and the need for the laws to change have never been more apparent.
The Verdict
This is an emotionally charged novel that needs to be read. Haunting and painfully relevant, this novel is a horror story that challenges the concept of monsters, as it proves that the true monsters are often hiding in plain sight, and could be hiding inside the people we should be able to trust the most. If you haven’t yet, be sure to grab your copy of “Memoir From Hell” by Stephen Ross today!
Rating: 10/10
About the Author
Stephen Ross was born in LeMars, Iowa, in 1948. He lived in Fremont, Nebraska, from the age of five until he left home to attend the University of Nebraska at Lincoln. After college, Stephen taught business courses at Nebraska Technical College for two years prior to moving to Los Angeles, California, to pursue an acting career.
During his eight years in Los Angeles, he not only acted, but gained extensive experience as a waiter. He moved to San Diego, California, in 1981 to attend law school at the University of San Diego, and practiced law there until retiring in 2017.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A mysterious attack leads to a world changing event in author Lachlan Walter’s We Call It Monster. Here is the synopsis.
The Synopsis
One ordinary day, an enormous creature dragged itself out of the ocean and laid waste to a city. In the months and years that followed, more and more creatures appeared, until not a single country remained untouched. At first, people tried to fight them. In the end, all they could do was try and stay alive.
We Call It Monster is a story of forces beyond our control, of immense and impossible creatures that make plain how small we really are. It is the story of our fight for survival and our discovery of that which truly matters: community and compassion, love and family, hope and faith.
The Review
This is by far one of the most original and “human” stories set in a world filled with larger than life monsters. Bringing the large scale destruction of any Godzilla or King Kong style film and blending it in with the character development and connectivity of a film like Crash, the novel explores a sudden war with mysterious monsters that threatens to end the world as we know it. The author changed the formula up however by focusing not on the monster’s origins or larger than life battles, but instead the relationships and struggles of those affected by these events.
Each section of the novel focuses on specific years in this “war”, from the creatures emergence across the world to the economic struggles and loss of life felt by the people around the world. Each chapter focuses on a character introduced in the previous chapter, allowing readers to see how connected we all are to one another, and allowing us to see how the monster’s arrival affects everyone differently. The emotional impact of these creature’s destruction and the slow decline the planet faces brings a new focus on the monster genre, and creates a truly impactful story like no other.
The Verdict
A true must read novel of 2019, author Lachlan Walter has exceeded the expectations of the genre and created a narrative that is truly original. Exploring the affects the monsters have on our society, on the planet and the people left behind in their wake, the heart of this novel rests in it’s fantastic character development, and will leave readers on the edge of their seat as they witness the slow ride into the end of the world as we know it. If you haven’t yet, be sure to pick up your copy of We Call It Monster today!
Lachlan Walter is a writer, science-fiction critic and nursery-hand (the garden kind, not the baby kind), and is the author of two books: the deeply Australian post-apocalyptic tale The Rain Never Came, and the giant-monster story-cycle We Call It Monster. He also writes science fiction criticism for Aurealis magazine and reviews for the independent ‘weird music’ website Cyclic Defrost, his short fiction can be found floating around online, and he has completed a PhD that critically and creatively explored the relationship between Australian post-apocalyptic fiction and Australian notions of national identity.
He loves all things music-related, the Australian environment, overlooked genres and playing in the garden. He hopes that you’re having a nice day.
AN EXTRACT
The old man shuffled out to the balcony, dusted off an outdoor chair and
then made himself comfortable. The sky was a shade of blue that painters
only dream about; it was a beautiful sight. The old man drank it in,
leaning back in his chair. He sipped at his coffee and smoked a cigarette.
He was happy to wait as long as was necessary – he had all the time in
the world and he wasn’t going anywhere.
The monster finally appeared, a blurry smudge in the distance.
Slowly, but not as slowly as he would have thought, it grew both
closer and more distinct. The old man laughed out loud; it looked like
nothing more than a child’s drawing of something that might have been a
lobster or might have been a spider or might have been both, propped up
on flagpole-like legs that supported a wetly-shining carapace, a beaked
head, and a tail as long as a bus.
It was enormous and ridiculous in equal measure. The old man was
surprised to find that it failed to frighten him.
It drew closer to the city. It stopped suddenly and bit a great chunk
out of a stately old tree lining a boulevard. Chewing slowly and
methodically, it worked its way through the mass of wood and foliage
before throwing its head back and opening its mouth wide. Despite his
deafness, the old man felt the monster’s keening in his bones and in the
pit of his stomach.
He pulled his hearing aid from his pocket, turned it on then slipped it
in place.
The beast’s cry was low and mournful, more a melancholy bellow
than a ferocious roar. Thankfully, the klaxon-blare of the evacuation
alarms had stopped. The monster cried out again and it shook the old
man, both literally and metaphorically. The beast shifted its legs,
presumably adjusting its weight, and destroyed an office building in the
process.
Almost comically, it looked down at the destruction it had wrought
and seemed to shake its head.
It looked back up and cried out a third time, and then started walking
again. It seemed to meet the old man’s eye. Without breaking its gaze, the
old man took another sip of coffee before lighting another cigarette.
Slowly-slowly-slowly, the monster drew closer. You could almost see
a smile on the old man’s face.
A Q&A WITH THE AUTHOR
What is it about giant monsters that appeals to you?
Initially, it was a childish fascination with things being smashed. Let’s face it: Every little kid has thrown a tantrum for reasons they can’t explain, broken something and then experienced relief at the wordless release this brings. A giant monster barging through a city for no fathomable reason can reflect our own difficulties in articulating and making sense of our emotions at that age.
This fascination soon turned to awe and wonder at their scale and mystery, a reflection of the feelings inspired in me by my discovery of dinosaurs and cryptozoology (the study of creatures such as the Loch Ness Monster, Bigfoot, Yetis and the like). My love of dinosaurs is easy to explain – show me a kid who hasn’t at some point gone through a ‘dinosaur’ phase’ and I’ll eat my hat – while my love of cryptozoology was inspired by a book entitled Creatures From Elsewhere, which my parents gave me and which is actually still sitting on my bookshelf.
Beginning in my teenage years and continuing on into the present day, I’ve loved the metaphorical and symbolic potential that giant monsters possess, and the ways in which they can ‘stand in’ for so many different problems that seem beyond our control and almost impossible to deal with. Nuclear war, our negative impact on the environment, international terrorism, industrial pollution, climate change, the staggering number of displaced people around the world – giant monsters have represented them all.
Why did you decide to write about giant monsters?
As mentioned, I’ve always been fascinated by them. But I’ve also always been a voracious reader, and sometimes an obsessive one. I’ve been known to occasionally get my nerd on for a particular sub or micro-genre, looking up ‘similar title’ and ‘you might also like’ lists online when I should be doing better things with my time. But I still keep searching, because there can’t just be one example of Mystery Sub/Micro-genre X out there.
Giant monster fiction was one such obsession that carried me away, the timing of which coincided with the completion of my first book. I binged on literally anything I could find, looking for something that took giant monsters as seriously as some of the movies do, something that was more than just capital-A action. I found lots of fun, post-modern stuff out there – some of which could even be described as zany – but not much that approached giant monsters with a serious eye.
Looking for a new book to throw myself into writing – a book that I wanted to be distinctly different from my first book – I decided upon a piece of serious giant monster fiction. In other words, I decided to write the book that I wanted to read. Isn’t that what an author does?
Do you need to be a fan of giant monsters to appreciate We Call It Monster?
Nope, but it probably helps… In all seriousness, though – no, you don’t need to be a fan. My aim with We Call It Monster wasn’t only to write a serious piece of giant monster fiction because giant monsters have, historically, rarely been written about in such a way. Instead, I also wanted to write a piece of speculative fiction that does what all good speculative fiction should: Use the speculative element within to make us look at ourselves and our place in the world with fresh eyes.
Despite its title, We Call It Monster is more concerned with people than monsters. It isn’t a ‘wham-bam, shoot-em-up’ but instead a serious look at how we might react to forces beyond our control, and to forces that illuminate the precariousness of our position as world-conquerors sitting atop the food chain. And ultimately, it’s the story of what really matters: community and compassion, love and family and friendship, hope and faith. Anyone that appreciates such people-centric stories should find something within We Call It Monster that they can enjoy.
Why did you decide to write We Call It Monster as a story-cycle/novel-in-stories?
To me, one of reading’s biggest attractions has always been in my sense of engagement with the world being built on the page (a process even more absorbing when reading science fiction and speculative fiction). I think this enjoyment of engagement applies to most people. We all ‘see’ things in written worlds that the author didn’t actually write, even at the most mundane level: we populate a footpath with pedestrians, a street with cars.
A story-cycle/novel-in-stories can increase this sense of engagement to an incredibly strong degree, and their traditional structures allow writers to work magic. They can give us different perspectives on the same events, blocks of ‘missing time’ that exist between stories/chapters, events that are only alluded to rather than seen first-hand, a multiplicity of narrative “voices”, and so much more. But ‘missing time’ begs to be filled; events only alluded to tantalise us; we can’t know the truth when presented with different perspectives, or even if the truth exists. And so our minds do this work for us, conjuring up and giving life to parts of the story the writer has withheld.
The way story-cycles/novels-in-stories allow us to create the world right alongside the writer is a beautiful thing. However, the structures behind them aren’t just beautiful, but also incredibly practical. They can allow a story to cover a span of time longer than a regular person’s life; and help do away with the inevitable and repetitive ‘amazing coincidences’ that prop-up stories where one single character guides us through an incredible sequence of events covering an incredible amount of time; and enable a wider representation of voices from a wider variety of countries and cultures, without also falling back on the aforementioned trope of inevitable and repetitive ‘amazing coincidences’.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A group of strangers with dark pasts find themselves in a never ending nightmare in author C.B. Collins novel “One Night’s Stay”. Here is the synopsis.
The Synopsis
Thirteen strangers check into the Sunset Inn hoping to find rest. When one of them is murdered in the middle of the night, the survivors realize they’ve found something else entirely; an ancient evil looking to satisfy an undying hunger. If the guests want to make it through the night, they’ll have to discover the secret behind the motel and the mysterious town it serves. However, in uncovering the truth, they might find that the town’s past is nowhere near as dark as their own.
The Review
This was one of the most original horror stories of the year. A twisted tale of damaged souls and great evil coming face to face with something more sinister than any human could imagine, the author does a wonderful job of turning a classic supernatural horror element into a fresh batch of hell. A blend of both supernatural and classic serial killer style horror, the story reads like a mix of Stephen King’s Salem’s Lot and Thomas Harris’s The Silence of the Lambs.
The story had equal parts horror, scares and emotional storytelling. Each character had a backstory that was either twisted, sad or highlighted humanity’s struggle with the world around them. The character development nearly outshone the horror story being told, but in the end both showcased truly amazing command over the genre that the author has.
Overall this is a must read novel. Filled with scares, chills and everything in between, the author did a wonderful job of creating a story horror fans will love while giving a wider audience characters that would draw them in. What is the terror facing this unlikely group of survivors? Find out by grabbing your copy of C.B. Collins novel “One Night’s Stay” today.
Published December 1, 2017 by Perfectly Poisoned Anthologies
Historical Fiction
Synopsis:
It’s 1870 in a rural setting on the outskirts of London. Famed surgeon Dr.
Benedict Morrow hosts an elite few surgical trainees at the renowned Morrow
Academy of Anatomy and Science.
Though the days of Burke and Hare are long gone, and body snatching and
grave robbing a seemingly thing of the past, the supply of high-quality fresh
cadavers is still lacking.
Each student of Dr. Morrow must procure a fresh corpse for their very own
study, or face expulsion from the prestigious academy.
These hand-chosen students are the best and brightest in the country. They
are also devious, conniving, and determined to do whatever they must to stay in
the academy and under the tutelage of Dr. Morrow. Even turn against each other
is necessary.
In the cards will be manipulation, murder, betrayal, sex, blackmail, and of
course, money always talks.
Dr. Linnea Lyons has it all. She is beautiful, intelligent,
witty, and charming. All the things a young woman needs to get her way in 1870.
Tasked with procuring a cadaver for her surgical studies,
Linnea decides to use her womanly charms to get what she wants. A visit to the
morgue when only the Deputy Coroner, Dr. Cyril Rhodes is on duty, she asks him
to allow her to watch his embalming process.
Cyril is enthralled with the dark-haired beauty. After all,
it is a rarity to meet a female doctor, let alone one studying the art of
surgery.
Linnea senses the good doctor is a bit lonely and perhaps an
easy mark to get what she wants.
The first year Dr. Benedict Morrow at the renowned Morrow
Academy of Anatomy and Science considers female students, Louisa Becker is
honored to be chosen. An ocean away from everything she has ever known and
thrust into a highly competitive, if not, demoralizing group of students is
arduous. It intensifies once Dr. Morrow tasks them with procuring their own
fresh corpse or face expulsion.
Residing in the home of a previous student of Dr. Morrow’s
and his teaching assistant, she suspects Edgar Walker guards sinister secrets
and she should fear him. Instead, she observes his skill and technique in class
and respects him. Intrigued and attracted to the withdrawn, brooding man she
watches him from a distance.
One evening following him into London, she witnesses him
commit a grisly crime. Louisa and Edgar forge an unconventional relationship
involving murder, seduction, lust, ambition, and mayhem.
An immigrant, Fredrick Wolf has to succeed at Morrow Academy
of Anatomy and Science. Not only succeed, he has to prove to his peers that he
belongs, that he isn’t a poor local Dr. Morrow accepted out of pity.
Fredrick is willing to do anything to procure a prime
specimen for their special assignment. Calling upon his uncle, his partner in
crime since their move to England, Fredrick plans to use his uncle’s position
at the local gaol to select the perfect candidate.
But not all prisoners are the usual drunkards or petty
thieves. Some possess dark secrets, especially the man known in Clayton Bridge
as Eugene Wallaby. Biding his time, Eugene sees young Fredrick’s murderous plan
as a means of escape, but only if Eugene can survive the night.
No one wants to be successful as a surgeon more than
Scarlett Kensington and no one has as little conscience. She has met every
challenge with skill and talent and by out-thinking her detractors. And when
the great Dr. Morrow demands his students present a cadaver for class, whose
body will it be?
Enzo Mason is a hustler and a thief by nature. After
stealing the most valuable thing he’s ever stolen, he thinks he’s finally on
the path to making a good life for himself. His confidence is tested when Dr.
Morrow reveals the newest challenge that will decide their fate in the surgical
program – procure your own cadaver for study or be dismissed from the Academy.
Will the help of a fellow classmate, who happens to be the most beautiful woman
he’s ever seen, be the one thing that helps him achieve his goals or will his
luck run out?
Jacqueline Kennison is a stunning newcomer to the Morrow
Academy of Anatomy and Science who has caught the eye of a fellow classmate,
Enzo. Jacqueline is determined to see her master plan through, even if it means
teaming up with Enzo. This choice leads to unforeseen dilemmas that she never
expected. Will Enzo be the one to aid in her own self-destruction or will he
surprise her by saving her from herself?
Doctor Elizabeth Chandler is top of her class at the Royal
College of Surgeons of England and has the world in her hand… until it comes
crashing down around her. With the sudden death of her beloved father and her
mother’s convalescence due to a carriage accident, Elizabeth abandons
everything to return to Clayton Bridge and help her family. Traditional
medicine has failed to bring her mother back to consciousness, so when she
hears of Doctor Benedict Morrow and some of the more unusual requirements of
his Academy of Anatomy and Science, this seems like the answer to her prayers.
Blackmail, deceit, and treachery are just a few of the lessons she will learn
along with her surgical studies.
Miranda O’Reily has been struggling with her grades. In a
profession where men are the superior sex, she has a lot to prove to not just
her peers or Doctor Benedict Morrow, but to herself. Coming from an
impoverished home, she was lucky to have an unknown benefactor paying for her
college. The mystery unravels as she tries to identify who this mysterious
wealthy individual is all while struggling to meet the intensity of the
curriculum.
Edward Thatcher, the last mortician she saw denied her a corpse because of her
gender. Infuriated, she vowed to get a body by any means necessary, even if it
meant murder.
I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A woman’s good fortunes turn dire when her dreams of owning and restoring old ruins leads to a dangerous situation in author Isobel Blackthorn’s “Clarissa’s Warning”. Here is the synopsis.
She buys an ancient stone ruin on the island of her dreams. Her mystic aunt Clarissa warns her of danger, but Claire pays no heed.
Soon after moving to the idyllic island, Claire is confronted by a mystery. As the sinister story of her home slowly uncovers, Claire enters a world of inexplicable events and ordeals. Someone or something doesn’t want her there.
But is it really a curse, or is there something else behind the events?
The Review
This was the kind of classic slow burn horror story that defines the horror/thriller genre. What starts out as a mission to fulfill a dream turns into a nightmare when Claire must struggle with the distrust of the locals, tales of an ancient curse and mysterious happenings that defy logic. The story flourished under the hopeful eyes of protagonist Claire. Peeling back the layers of this well rounded character, readers will love seeing the complex relationships with her parents, her close knit bond with her aunt Clarissa, the strength of taking a leap of faith and going after her dreams, and the struggle to merge her logical, scientific mind with the supernatural/curse nature of her new home.
The setting really brought this story home however. The Canary Islands take the center stage in this tale, an inspiration from the author’s own travels and mission to bring ancient structures on these islands back to their former glory. Themes of conserving our past, pursuing our passions and bringing the truth to light all shine through in this truly incredible horror thriller.
The Verdict
Overall I loved this tale. The novel soars as a classic story of love, passion and a promise to protect the places that hold our civilization’s history within it. With a heavy focus on character development with light doses of horror and thriller elements, this is a story readers will thoroughly enjoy. Be sure to preorder your copy of Isobel Blackthorn’s “Clarissa’s Warning” today.
Isobel Blackthorn is a prolific Australian novelist of dark psychological thrillers, mysteries and contemporary fiction. On the dark side are Twerk,The Cabin Sessions and The Legacy of Old Gran Parks. On the lighter side are Asylum, The Drago Tree and A Perfect Square, and the short story collection All Because of You. Soon to be published are three more novels: A Matter of Latitude, Clarissa’s Warning and The Unlikely Occultist: A biographical novel of Alice A. Bailey.
Isobel’s writing has appeared in journals and websites around the world, including Paranoia Magazine, Mused Literary Review, Backhand Stories, Fictive Dream and On Line Opinion.
Isobel’s interests are many and varied. A humanitarian and campaigner for social justice, in 1999 Isobel founded the internationally acclaimed Ghana Link, uniting two high schools, one a relatively privileged state school located in the heart of England, the other a materially impoverished school in a remote part of the Upper Volta region of Ghana, West Africa.
Isobel has a background in Western Esotericism and she’s a qualified Astrologer. She holds a PhD from the University of Western Sydney, for her research on the works of Theosophist Alice A. Bailey, the ‘Mother of the New Age.’ After working as a teacher, market trader, and PA to a literary agent, she arrived at writing in her forties, and her stories are as diverse and intriguing as her life has been.
Isobel performs her literary works at events in a range of settings, gives workshops in creative writing, and writes book reviews. Her reviews have appeared in Shiny New Books, Sisters in Crime, Australian Women Writers, Trip Fiction and Newtown Review of Books. She talks regularly about books and writing on radio, in Australia, and on occasion in the UK and USA and Canary Islands.
British by birth, Isobel entered this world in Farnborough, Kent, as Yvonne Margaret Grimble. She has since been Yvonne Rodgers, before changing her name completely in 1996 to Isobel Schofield. After a number of years as Isobel Wightman, she is now very happily and permanently Isobel Blackthorn. Isobel has lived in England, Australia, Spain and the Canary Islands. She now lives on Australia’s southern coast with her cat, Psyche. You can find out more about her other achievements here.
