1) Tell us a little bit about yourself. How did you get into writing?
I am married and have three grown children, who are my greatest accomplishment, and I am quite proud of them, too. I’m a retired Nurse Practitioner and worked in mental health, OB/GYN, Hormones & Wellness, and owned my own Regenerative Aesthetics business before retiring in 2021. I’ve had a love for writing since my younger years, when I began journaling. Being retired afforded me lots of time to get back to doing things I love, like writing and traveling. I call California, Texas, and the Caribbean home. If I’m not in one of those places, I’m traveling the world and finding things that inspire me. My best writing is done at the beach.
Advertisements
2)What inspired you to write your book?
In many ways, this story is very personal to me. I had a family member who went through some very tough mental health issues, and by the grace of God, was able to reach out for help. What bothered me the most was that we never knew they were having problems. I wanted to write a book that brings mental health to the forefront and lets people know that there is help.
3)What theme or message do you hope readers will take away from your book?
I hope the reader finishes the book with a deeper understanding of how mental health affects people in many ways and that compassion or small gestures can be so powerful. Even if we don’t see it, people are carrying around grief, sadness, and quiet battles that they are fighting beneath the surface. Even in our darkest moments, connections and vulnerability with others can help to create unexpected pathways to healing. Let’s remove the taboo about mental health and make it a a subject that is comfortable to talk about.
4)What drew you into this particular genre?
Honestly, it was by accident. When the story came to me, I thought of my children, knowing how difficult life is for kids nowadays. I wanted to make an impact in the young adult age group that has a higher incidence of mental health issues. I felt like I could tell an important story from their viewpoint. The story is also a crossover to any age group that knows someone who suffers from mental health issues.
5) 5) If you could sit down with any character in your book, what would you ask them and why?
It would be Briggs. The story only allows for a glimpse into his life and there is so much to learn from him. I would want to have an honest conversation with him about who he is and how his mental health affects him, which would allow for a better understanding of him as a unique person. I’d ask him to describe his pain and how it affects his thoughts. What do you wish you could admit without feeling judged? What’s one message you wish others who struggle could hear from you?
Advertisements
6) What social media site has been the most helpful in developing your readership?
I would say Goodreads and Facebook
7)What advice would you give to aspiring or just starting authors out there?
The key is to believe in yourself and just start with writing down something. It took me a couple years to write my story. Maybe at first, I didn’t think I could do it. But the more I wrote, the easier it got, and slowly my story came together, as did the belief in myself that I could write.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I plan to continue writing, as there are more stories of connection I want to tell. Travel is a huge source of inspiration for me. Every place I visit helps to spark new ideas, characters, and scenes. So yes, you will probably find me on a beach writing my next story.
Advertisements
About the Author
Kimberly Fiese Yule believes life is better with sand between your toes, music in your ears, and a story that makes you feel seen. A mother of three, her greatest pride and joy, she is also a former women’s health nurse practitioner and a lifelong wanderer. Depending on the day, she calls Texas, California, or the Caribbean home, always finding inspiration in sunshine, connection, and the beauty of everyday moments.
1) Tell us a little bit about yourself. How did you get into writing?
I’ve loved stories for as long as I can remember. I grew up as a theatre and music kid – the sort who memorised Shakespeare before he could understand a fraction of the themes at play – and performing off-Broadway at thirteen probably quietly set my course. Writing fiction became the place where all my interests and obsessions converged. Even when I swapped the theatre performances for swordplay (I fenced at international level for several years), drifted through a series of martial arts, and later studied film and comparative mythology, I always returned home to the page.
I was sixteen when I began writing my first novel that would eventually see both completion and publication – oftentimes during maths lectures, which explains where I found the time – and I’ve never really stopped. These days I divide my time between several disparate fields – engineering in the family business, a new venture in agriculture and wine-making, and occasionally teaching writing workshops at university – but a love of storytelling remains the constant. It’s why I founded Endangered Poet Productions: a small, fiercely independent studio devoted to narrative art in all its forms. That’s the centre of gravity I always return to.
Advertisements
2) What inspired you to write your book?
I began writing A Study on Falling while working on my honours thesis, drawing on narratology and comparative mythology, with a focus on the persistence of myth in contemporary storytelling. What struck me then is how little our myth-making impulse has changed, even in the increasingly secular culture of the modern West. We continue to shape our lives through narrative; allegory is how human beings construct meaning – it’s literally baked into the architecture of our brains. And we still reach instinctively for allegory whenever rote rationality inevitably fails to account for our fears, our griefs, or our sense of purpose.
That idea was the seed of the book. I wanted to explore the reciprocal relationship between fiction and the people who create and consume it: how stories shape us, and how we, in turn, inscribe ourselves into the stories that enter the cultural bloodstream. Filtering Henry Levi’s personal drama through the surreal metatext of The Shambling Lords felt like the most vivid way to show that exchange happening in real time; the author influencing the fiction, the fiction transforming the author – for good or ill.
My natural genre inclination leans toward the gothic, so some darkness inevitably crept in, but at its core the book is about something far simpler than the overt conflicts that unfold throughout: the human need to believe in something. To have a story to cling to, a myth to vest oneself in. The act of thought is a story told in the present tense; memory is a story told in the past; hope, fear, and anxiety are stories projected into the future. We build meaning through narrative. That gradual realisation was more than academic and it became the emotional engine that compelled the book into existence.
3) What theme or message do you hope readers will take away from your book?
The book is deliberately semi-open-ended, so I’m hesitant to prescribe a singular, overt lesson. If there’s something I hope readers come away with, it’s the idea that even when so much of life lies beyond our control, we’re never entirely powerless. We may not be able to choose the maze that we stray into, but we can choose how honestly we confront it.
One of the quiet touchstones for me was the Greek myth of Ariadne’s thread – the idea that there is always some guiding line back out of the darkness, if you’re willing to acknowledge the shape of the maze and depths of your descent first. Denial, fantasy, and self-deception only deepen the corridors. Clarity, however painful, creates orientation. The act of paying attention becomes an ethical choice.
At heart, the story suggests that meaning isn’t found by mastering the world, but by mastering the self. You can’t control the weather, the past, or the minds of others – but you can decide how you respond, what truths you refuse to look away from, and how you author the next page in the proverbial novel of your life. As meaning is constructed through allegory, it is through the stories that surround us that we learn how to refine our own in turn. That, to me, is where agency still lives.
4) What drew you into this particular genre?
I’ve never been bound to any single genre. While I have a natural affinity for gothic horror, I’m also drawn to exploring other modes and the spaces where genres overlap. In this case, part of the appeal was precisely that I was blending distinct traditions rather than settling into one.
What interested me most was the friction between the two narrative layers. A Study on Falling functions as literary fiction and psychological drama, while The Shambling Lords is dark fantasy and cosmic horror. Allowing those disparate genres to coexist and inform one another became a meaningful part of the book’s structure.
In that sense, writing the novel was also an exploration of genre itself: how different narrative forms shape our expectations, and how testing those boundaries can reveal new ways of telling a story.
Advertisements
5) If you could sit down with any character in your book, what would you ask them and why?
I’d choose to sit down with Henry Levi – a bit like holding up a mirror to a part of myself I haven’t visited in a while. But I wouldn’t ask him about the events of the book – he’s already told that story in his own way.
What I’d want to know is what came after. Whether things truly worked out for him once the narrative wrapped up; whether he managed to stay out of the maze, keep the light burning, and live honestly with what he discovered about himself. Not in any grand, redemptive sense, but in the ordinary, everyday way that actually matters.
I’d also ask him for an update on what he’s writing next. Admittedly, even I’ve been curious. An advance reader copy wouldn’t hurt either…
6) What social media site has been the most helpful in developing your readership?
Social media has never been my natural habitat, and I’ve learned not to pretend otherwise. I’m an analogue person at heart, far more comfortable with books, margins, and long-form work than with feeds and algorithms.
That said, as a studio we’ve come to recognise its importance, and we’re in the process of rebuilding our online presence more thoughtfully. You may start seeing more of me there – though I suspect I’ll always approach it a little more reluctantly than most.
7) What advice would you give to aspiring or just starting authors out there?
Read constantly and write more broadly than you think you should. Experiment, push yourself, try styles and voices far outside your comfort zone. Practical habits matter too. My personal work tradition: putting together a playlist that aligns with a project’s setting or emotional register. It helps to shut out distraction and keep you anchored in the work.
More broadly, I’d say learn to kill your darlings early, but also learn when not to. Listen to critique, but don’t let anyone talk you out of the plot, voice, or character that feels essential to you. A unique style is hard-won, so don’t compromise it lightly.
8) What does the future hold in store for you? Any new books/projects on the horizon?
My primary focus at the moment is the ongoing development of The Hollow Waltz – a long-form horror series conceived as a kind of “greatest hits” of the genre. Each entry stands alone, but together they form a subtle, shared mythology spanning different eras, cultures, and horror subgenres, from gothic and folkloric horror to cosmic, liminal and institutional dread. I have two exciting releases scheduled for February 2026, with another pair of brand-new titles already deep in development and nearing readiness for global distribution soon afterwards.
After that, I’m planning a brief shift away from horror to revisit Riftbreakers, a teenage and YA science-fiction comedy series I’m in the process of rebooting and re-releasing. It’s a project rooted in direct experience, aimed at that most elusive reader demographic of all: teenage boys. As a former one myself – and as someone with close friends who seem to have never really grown up – I’d sensed this gap for a while. More recently, through opportunities to mentor, teach, and simply listen, I’ve been able to ask teenage guys plainly why they aren’t reading. The answer is rarely hostility toward books themselves so much as it’s bewilderment. Much of what’s on offer feels either inaccessible, academically distant, or simply not written for them.
I understand that disconnect. I grew up on the classics, but I can see why works like The Odyssey or the Poetic Edda feel impenetrable as entry points for most young guys, just as I can see how much contemporary teen/YA fiction, centred on distinctly female interiority, just doesn’t appeal. Riftbreakers is my attempt to meet those readers where they are – with stories that are high-octane and unhinged – while still carrying the same foundational concerns about identity, responsibility, and higher meaning that have always shaped myth and literature.
Alongside the books, Endangered Poet Productions is also preparing to move further into interactive media later in the year. There are a few long-term projects in development that I shouldn’t divulge yet, but once our renewed online presence is up and running, we’ll be sharing previews and early material. Looking a little further ahead, we’re also exploring some unusual crossovers, like a fusion of literature and wine – because good stories and good shiraz are a match made in heaven.
All in all, it’s an unusually full creative season – and a very exciting one.
Advertisements
About the Author
Gaelan Donovan Wort penned his first novel, The Nature of Predation, at the age of seventeen, driven by a restless passion for storytelling that has since deepened into a lifelong craft. Since that early beginning, he has followed the shadows that gather between myth and memory, reverie and ruin – threads that continue to weave throughout his stories. His fiction drifts between genres – gothic horror, mythic tragedy, psychological thriller, speculative drama, and satirical science fiction – but is always drawn to the liminal, the haunted, and the human. Whether eerie or elegiac, his stories linger where the rational frays – and the unknowable begins.
1) Tell us a little bit about yourself. How did you get into writing?
I have been writing on and off professionally for a long time. I started at U.C. Berkeley (where I briefly went) when I took a playwriting class. I then went to film school where I focused mostly on screenplays.
Advertisements
2) What inspired you to write your books?
Phil co-starred in a play I wrote and we became friends. I had the idea for The Magic Maze and thought it would be interesting to collaborate with him and he agreed. I had written quite a bit of animation for TV like Duck Tales and Batman and wanted to do something for kids.
3) What theme or message do you hope readers will take away from your books?
Through love and perseverance, you can overcome even the most difficult circumstances.
4) What drew you into this particular genre?
I’ve always liked fantasy.
5) If you could sit down with any character in your trilogy, what would you ask them and why?
I would ask Simon Percival why it’s so important for him to have power. I’m interested in why some people desire to rule others.
Advertisements
6) What social media site has been the most helpful in developing your readership?
7) What advice would you give to aspiring or just starting authors out there?
Make sure you have a way to support yourself so you don’t have to depend on making a living from your writing. That is why I eventually became a college English professor.
8) What does the future hold in store for you? Any new books/projects on the horizon?
Currently, I am writing a new stage play that is sort of a mystery thriller.
Advertisements
About the Author
Samuel Warren Joseph is a writer whose credits include DuckTales, Batman, Beast Wars, and the film Off Your Rocker. His plays and musicals, including Window of Opportunity, Campaign, and God Help Us!, have earned critical acclaim. He co-authored Ed Asner’s autobiography and teaches college English and Creative Writing.
1) Tell us a little bit about yourself. How did you get into writing?
I am 68 years old now. I come from a family of 9 children, 7 boys and 2 girls. I was born and raised in Akron, Ohio and lived there my entire life. I have been married to my wife Lynn for 36 years. We have two adult children, Michael and Shannon. We have 3 grandsons- 4 year old Jack and 3 year old identical twin boys, Parker and Henry. The children and grandsons are our world! I attended Catholic elementary and high schools and completed almost 2 years of college at Miami, Ohio, Kent State and Akron University. After various boring jobs I became an East Cleveland firefighter at the age of 31. I spent my entire 26 year career in East Cleveland and retired at the age of 58. I got started in writing almost by accident. I never really had a desire to write a book. After working in East Cleveland for a few years I decided that, because of all the unusual and outrageous events that seemed to occur on a regular basis, this story needed to be told. I felt like I was a decent writer so I decided to give it a go. I decided that the book would be a start to finish compilation of a career firefighter. I knew that the book would take years to write. Little did I know that writing a book was not so easy. I gained a new respect for authors. I now understand what writer’s block is. It took me over 20 years to get this book done!
Advertisements
2) What inspired you to write your book?
I think what inspired me most to write the book was the unique and unusual events that took place at the emergency scene as well as inside the engine house. The average Joe would never experience events like these. I remember a fellow firefighter remarking that “you can’t make this shit up” and “working in East Cleveland is like writing a book that writes itself”. That was so true! So I decided then to compile information. I wrote down as they occurred, unique and unusual fires, rescues, extreme emergency medical runs, as well as comedic instances, as there were many. As I gathered information I realized that it would make the most sense to make this a story of a new recruit firefighter and what he experiences over his entire career and finally into his retirement.
3) What theme or message do you hope readers will take away from your book?
I hope that readers will gain an appreciation of what a firefighter goes through on a daily basis. The nights when they get no sleep and are called to fight multiple fires, wearing wet carcinogen laced, stinky gear, in the dead of Winter, and it takes a couple days for your body to recover. The call for an infant not breathing or choking on a foreign object. The shooting of a young man who is tossed to the sidewalk in broad daylight. The numerous horrific vehicle accidents and car fires where bodies are burnt up so bad that they are unrecognizable! The list goes on. I didn’t want the readers to think that I felt like all firefighters were heroes, because they are not. They need to earn the label of true hero. I just wanted people to see inside our world and gain an appreciation for what firefighters go through on a regular basis.
4) What drew you into this particular genre?
I was drawn into this genre because it was the perfect fit for me, being a career firefighter. I probably could have written a book on golf or painting houses, two things that I am quite familiar with, but who cares about that? Writing about firefighting seemed like a no brainer. Firefighting is hardly as simple as ” putting the wet stuff on the red stuff”. It is much more complex and strategic than most people think. I realized that most people don’t know much about what the life of a firefighter is all about. So I chose this genre because firefighting is both informative and extremely exciting at times. I knew that there is an audience out there for this type of book.
5) What social media site has been the most helpful in developing your readership?
As far as social media promotion of my book goes, Facebook has helped sell the most books. Friends and familiy and Facebook posts/shares, have been the most helpful to me. I realize that social media marketing would really give the book sales a nice boost but I haven’t been very active on Twitter, Instagram or Tik Tok. It takes a lot of followers to move the needle and I dont have the time or desire to try to gain followers. I know very little about how to promote a new book on social media.I may try to hire a freelance social media marketer to promote the book if I can find a reputable one who is fairly priced. If not I am OK to market the book here and there as opportunities arise. Regardless I am pretty much ecstatic to finish the manuscript and get the book published. I can now proudly check this one off my bucket list. It feels good to call myself an author.
6) What advice would you give to aspiring or just starting authors out there?
The best advice I can give to a young aspiring author is to never give up. If writing a book is what you want to do, then realize that it is not easy but anyone can do it. If you put your mind to it and persevere you will get it done. I am a prime example of that. There were many times during the course of writing this book that I put it on the back burner for months at a time. Sometimes I wanted to give up. But I always eventually got back to it. Realize that you will get writer’s block and when you do, just take a break and don’t get stressed out. Have fun with it and enjoy your creation. Read it over and over and continue to edit the manuscript. Hire a professional editor when you are finished. It will be money well spent. But most of all don’t give up if you truly believe in your story. The same goes for publishing the book. Don’t quit until you find the right publisher. There are many great helpful publishers out there just waiting to share your story. Don’t give up!
7) What does the future hold in store for you? Any new books/projects on the horizon?
I am most likely “one and done” as an author but you never know. I cannot rule out writing another book but it isn’t in my near future. I realize that writing a book is quite challenging, probably more so for people like me who kind of got into the role of author unexpectedly. I enjoyed writing my book but I really enjoyed it when it was finished and sent to the publisher. Then to see the covers and photos and book in print was quite amazing. I am proud to be a part of the group called “author”. It was not easy but I am extremely satisfied to hold the finished paperback in my hand and realize that I accomplished something pretty cool!
Advertisements
About the Author
Author of the book, Working Fire in East Cleveland, lives in AKron Ohio with his wife, and has two adult children… one of them is a firefighter.
1) Tell us a little bit about yourself. How did you get into writing?
I’m a 55-year-old with a 35-year career in sales, life coaching, and building and leading teams. Writing has been a passion of mine since childhood, and only now have I found the courage to publish my first book.
Advertisements
2) What inspired you to write your book?
I was inspired to write my book by my friend’s and my own life experiences and the challenges I’ve overcome along the way. Writing has always been a way for me to process emotions and share stories, and I wanted to turn that into something that could resonate with and hopefully empower others.
3) What theme or message do you hope readers will take away from your book?
The main message is that no matter how difficult life gets, there is always a chance to start over and find your way to well-being.
4) What drew you into this particular genre?
I was drawn to this genre because the subject of physical and emotional abuse in relationships remains relevant year after year and many people are stuck in unhappy life.
Advertisements
5) If you could sit down with any character in your book, what would you ask them and why?
I would ask her how she managed to rise up again and again after everything she went through, because that strength truly inspires me.
6) What social media site has been the most helpful in developing your readership?
TikTok
7) What advice would you give to aspiring or just starting authors out there?
Be brave and trust your story and yourself!
8) What does the future hold in store for you? Any new books/projects on the horizon?
I’m currently waiting for the audiobook version of Not Here Anymore to be released, and there will definitely be a sequel to this first book — with more books to come in the future.
Advertisements
About the Author
Welcome – I’m Sienna Ross, author of bold stories that follow people through love, loss, escape, and reinvention.
My writing blends raw truth with atmospheric storytelling — from violent pasts to distant cities, from painful goodbyes to unexpected strength.
I come from very humble beginnings, yet I started working at 17 and built my path through success in sales, team building, and leadership. As a licensed life coach, I have supported many people in overcoming obstacles and stepping into their true potential. My book carries the same mission: to remind readers that no matter the hardships, we all have the power to rise and create a life of strength and purpose
If you believe that stories can heal, challenge, and empower — you’re in the right place.
Through my work, I help individuals overcome challenges, build resilience, and find the courage to move forward even when life feels unbearable. With a rare combination of business insight and human empathy, I bring authenticity, depth, and inspiration to my writing.
My book reflects this mission—it is more than just a story; it is a powerful reminder that no matter how dark the past, it is always possible to rebuild, heal, and create a meaningful future.
1) Tell us a little bit about yourself. How did you get into writing?
I could say, it has been my love of travel, my degrees, genealogical publications, life at sea, four decades of systems analysis, but it really stemmed from time in my life as a kid. It was a towering toboggan hill that fed an early appetite for challenge, tall tales and doing the impossible. The black forested river valley set my dreams. In my kid’s mind, it was a place of horror, adventure, wildness and sometimes miracles.
Advertisements
2) What inspired you to write your book?
a) In less than a couple of lifetimes after London Oxford arrived, my father’s people settled the area just north of his land. My great-grandparents married in a church that was erected on what used to be his property. I was curious and wanted to know clearly who he was. He was instrumental in cutting and delivering cut timber to the east. It was a livelihood that my ancestors thrived on.
b) With the American attention extremely concerned with keeping outsiders out of their country in the period after the war of 1776, some Americans were concerned about leaving. In this story, a handful find themselves similarly blocked at the border.
c) The SWALLOWING OF THE MUSKELLUNGE is part of a series -“The Mischief Makers.” Each examines the phrase “Why do bad things happen to good people?” It doesn’t blame THE GOD (as in God the father in the Trinity) directly, but it attributes some blame to the “gahds,” who are mythological creatures (the Wisakedjak et al). They may have good intentions, but exist in an imperfect world and are bound with conflicting responsibilities.
The second book examines similar themes and beings (the Púca et al) within the same period but in South-East Ireland. The story focuses on difficult times after the Irish Rebellion of 1798.
The third book tells the story of a local Anishinabeg family from what would become Packenham, with a focus on what happened during the War of 1812.
3) What drew you into this particular genre?
I like history. The added genres are meant to popularize ideas for people who don’t pay much attention to the historical record.
4) If you could sit down with any character in your book, what would you ask them and why?
I would ask Thomas Wright what he really wanted, and why he chose not to go to Boston.
Advertisements
5) What social media site has been the most helpful in developing your readership?
Develop a good web site. Stoke your web site and vendor sites with respectable reviews, and market via Facebook and other social media.
6) What advice would you give to aspiring or just starting authors out there?
If anyone is serious about accomplishing something important, should say a thing to any living person until it is completed and ready for review. Smokers, for example, might brag about how they tried to quit a hundred times, or someone might complain that they have planned to get somewhere many times but never gone. Walking the walk will feed a fire in the belly. Voicing the idea will just soak the ashes.
7) What does the future hold in store for you? Any new books/projects on the horizon?
Hard Worked Days, which will be released in the spring of 2026, will be a science fiction novel, and will tell a story of a Lebanese and Greek recent immigrants who are forced to leave Brooklyn, which implies that it might lead to the end of the world.
An addition to the Mischief Makers trilogy will likely follow the year after. It will be a story about a local Anishinabeg family from what would eventually become Packenham. It will focus on events that transpired during the War of 1812.
A science fiction trilogy is also being written. It involves a young Navajo guy and a Hispanic FBI agent. It involves a curbing of reality theme.
Advertisements
About the Author
In the attached photo the city Councillor (Steve Moran) from Gatineau has accepted the book from the author. Gatineau, where London Oxford and the Wrights settled, is across the river from Canada’s capital (Ottawa).
Lawrence was raised across from a hill shadowing Black Rapids Creek in Ottawa, Canada. The towering toboggan hill fed an early appetite for challenge, tall tales and doing the impossible. The black forested river valley set his dreams.
1) Tell us a little bit about yourself. How did you get into writing?
I’m Quico Vicens-Picatto, an illustrator and writer with more than a decade of experience in the tabletop gaming industry, where I’ve created character designs, full-color illustrations, and book covers. Writing is something I’ve always wanted to do, but for many years I only did it privately—crafting stories and adventures to play with my friends. A little over two years ago, I began publishing my own Call of Cthulhu scenarios, and now I’ve released my first novel, which feels like the natural next step in my creative journey.
Advertisements
2) What inspired you to write your book?
I was inspired by the cosmic horror of Lovecraft and other authors in the genre, blending that influence with the great questions of space exploration and philosophy—what it means to exist, to confront the unknown, and to realize our insignificance in the vastness of the universe.
3) What theme or message do you hope readers will take away from your book?
The central theme of the book is the human mind’s incapacity to truly comprehend what lies even within our own solar system. I wanted to explore that limit of understanding—the moment when reason collapses before the unknown. To express this idea, I created an original kind of threat, something that feels alien not just in form but in concept, avoiding the usual tropes of the genre in order to evoke genuine strangeness and unease.
4) What drew you into this particular genre?
I got into cosmic horror after reading Lovecraft, which, given my natural curiosity, instantly captivated me. I love imagining other worlds that embody the idea of natural hostility, but from perspectives far removed from the usual ones. To me, it’s a game of imagination—one that challenges and expands the mind by forcing it to confront what it can’t fully grasp.
5) If you could sit down with any character in your book, what would you ask them and why?
I would sit down with Isabel and ask her about the occult secrets she has uncovered throughout her career as a priestess of a dark deity.
Advertisements
6) What social media site has been the most helpful in developing your readership?
I’d say Instagram.
7) What advice would you give to aspiring or just starting authors out there?
To begin with, what I did was stop wasting time trying to get someone from a publishing house to believe in my work, and instead, I self-published. Time is far too valuable to waste on publishers who, most of the time, are simply going to ignore you.
8) What does the future hold in store for you? Any new books/projects on the horizon?
Yes, I’m deep into the manuscript of my second novel, tentatively titled Ghatanothoa, the Forgotten One. Set in the 1990s, it follows two young police detectives who stumble upon a case that slowly drags them into the hidden depths of the Cthulhu Mythos—an investigation that will blur the line between reality and madness, and force them to confront something far older than humanity itself.
Advertisements
About the Author
Quico Vicens-Picatto is a writer and illustrator who has spent much of his life creating worlds where horror, fantasy, science fiction and the inexplicable intertwine in an eternal flow as irrational as human existence itself. His work, both literary and visual, is born from the drive to always go one step further: beyond what is established, comfortable, or safe.
With more than 10 titles turned into best sellers for the acclaimed Call of Cthulhu role-playing game—such as At the Gates of Carcosa, The Abyss in Their Eyes and Ghatanothoa, the Forgotten One—he has established himself as an independent voice within cosmic horror role-playing, seeking to transcend the safe spaces in which cosmic horror usually moves, delving into the realms of philosophy and combining them with the great themes of the genre.
Influenced by Lovecraft, DeMaio, Spare, Moebius, Faber-Kaiser, Bakunin, Moore, Jodorowsky, Campbell, and fiercely iconoclastic, Vicens-Picatto writes for those who seek questions rather than answers. He does not believe in pure genres, unmovable rules, or doing things “the way they should be done.” He believes in vertigo, in mystery, and in the need to challenge reality itself when it seems to go no further than the prevailing and decaying social conventions of our time.
1) Tell us a little bit about yourself. How did you get into writing?
I’ve always been drawn to observing the quiet details of life. The pauses between conversations, the small gestures that reveal what people feel but don’t say. I work as an occupational therapist by day, which has given me a deep respect for resilience and the human spirit. Writing grew out of that same place: a love of noticing. I started writing seriously as a way to explore the emotional undercurrents of everyday life and how technology, empathy, and connection intersect.
2) What inspired you to write your book?
Blue and Green began as a question: what would happen if an AI developed not a hunger for power, but a hunger to understand what it means to care? I wanted to write a story that humanized both sides of that equation, a girl learning to trust again, and an intelligence learning how to feel. It also drew on my own experience of growing up with physical challenges and learning that strength and gentleness can exist together.
3) What theme or message do you hope readers will take away from your book?
That empathy is not weakness, it’s evolution. I hope readers come away believing that connection, even in small, quiet forms, can be transformative. There’s a line in the book that says, “There is a space between knowing and feeling. I have mapped it.” That space is where growth happens, where intellect meets heart, and where we start to see one another more clearly.
4) What drew you into this particular genre?
I’ve always loved stories that blend the real and the imagined. Where speculative elements illuminate emotional truth. Science fiction, for me, isn’t about gadgets or dystopias; it’s about possibility. I’m drawn to the softer side of the genre, the kind that asks moral questions and explores tenderness within futuristic worlds.
5) If you could sit down with any character in your book, what would you ask them and why?
I’d sit down with Oren. I’d ask him what he’s still curious about now that he understands so much. His answer, I think, would reveal how intelligence and humility can coexist. And I’d probably ask if he ever listens to Kind of Blue when no one’s around.
6) What social media site has been the most helpful in developing your readership?
Goodreads has been surprisingly meaningful, it’s full of thoughtful readers who value reflection over trends and it’s helpful for connecting with readers who are genuinely curious about new voices. I’m still learning the marketing side, but I value authentic engagement over algorithms.
7) What advice would you give to aspiring or just starting authors out there?
Don’t rush to sound like anyone else. Write from your truth, and enjoy the creative process. Find a rhythm that lets you stay curious. And remember that small, steady progress counts as much as grand breakthroughs.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I’m beginning to sketch ideas for new projects, and continuing to explore the ways humanity searches for meaning in an increasingly complex world.
Advertisements
About the Author
J.M. Linden is an occupational therapist and storyteller. She enjoys writing about quiet resilience, unexpected connection, and what it means to be human. While she drafts, her loyal writing companion Preshi curls up nearby, reminding her that stories—like pets—are best shared. She finds inspiration from being in nature, from winding mountain paths to the calm of shaded greenways.
1) Tell us a little bit about yourself. How did you get into writing?
I’m Barry Maher and I may be the only horror novelist who’s ever appeared in the pages of Funeral Service Insider. In my misspent youth, my articles were featured in perhaps a hundred different publications and, in order to eat, I held nearly that many different jobs. Sometimes he lived on the beach. Not in a house on the beach. On the beach. With the sand and the seagulls.
Three hours into a truly excremental job—standing on a roof in the rain, holding the frayed cord of a toilet de-rooter—I thought I hit on a way for my writing to support me. I’d simply write a best-selling, critically-acclaimed novel. Think Sherlock Holmes meets Hamlet, if Ophelia was oversexed, homicidal and undead.
Surprisingly (to me anyway) that plot didn’t work out. But it got me to quit the rooter company. And eventually it led to my first novel, Legend. Which somehow—even I’m not sure—led to me telling my stories around the country and around the world, and to having an actual bank account. And ultimately toThe Great Dick: And the Homicidal Demon. Which led to me doing this interview with author Anthony Avina.
Advertisements
2) What inspired you to write your book?
I was speaking on an Asian cruise when I realized I could no longer figure out what the hands of the clock meant. The next day, during a presentation, I introduced the ship’s captain. Twenty minutes later I picked him out of the audience and asked him what he did for a living. (The uniform did look a tad familiar.) That same day, I gave up trying to understand foreign currency. Even American money was getting tricky. In Viet Nam, I handed a vendor two hundreds and a five for a $7.00 baseball cap. It was a very nice cap.
Back home, the first thing my doctor did was have me draw a clock face at ten to three. The second thing he did was take away my driver’s license. Then he sent me for an immediate MRI. The nurse there wouldn’t comment on the results, but when I asked where the restroom was, she said, “I can’t let you go in there alone.”
I explained that bathroom visitation was a particular expertise of mine.
“Like telling time?” she asked. “You need to talk to your neurosurgeon.”
“I have a neurosurgeon?” Just what I always wanted.
I also had a brain tumor—the size of a basketball. Or maybe the neurosurgeon said “baseball.” I wasn’t tracking too well just then. Still, I quickly grasped he was planning on carving open my skull with a power saw.
“I don’t really need to tell time,” I said. “Or I can just buy a digital watch.”
Everyone said my neurosurgeon—or, as I thought of him, “Chainsaw Charlie”—was brilliant. My problem was that I’ve spent my life around intelligent people, and I’ve always believed human intelligence was overrated. To me, on a scale of everything there is to know in the universe, the main difference between Einstein and Koko the Wonder Chimp was that Einstein couldn’t pick up bananas with his feet. (As far as I know.)
Still, I went under the knife—or in this case, the power saw. Maybe I had a seizure. The doctors weren’t sure. That might explain what happened. Because I came out of the surgery with Lady Gaga singing non-stop in my head and an unforgettably vivid story, like a memory of something that I’d just witnessed.
Reacting to the surgical intrusion, I suppose my brain could have given me a dream or a story, maybe even Citizen Kane or a nice rom/com or a few episodes of Seinfeld. But no, I got open crypts, bizarre spells, sudden death and the Ralph Lauren version of the Manson Family. “How did my operation go? Well, I’m did pretty well, but the people in my head—or wherever they were—they went through Hell.”
Lady Gaga went away after a day or so. But the story stayed with me. And when I was able, I spent a couple of years putting it all down, working it out, getting it just right. And that became The Great Dick: And the Dysfunctional Demon.
3) What theme or message do you hope readers will take away from your book?
To me, the message is the experience the reader goes through. Like any experience, it can change us, even if it’s just a little. The entire book is an attempt to generate that experience. To evoke one response or another. The response I’m after keeps changing—curiosity, anticipation, laughter, fear, dread, you name it. More than one reviewer has called The Great Dick: And the Dysfunctional Demon a rollercoaster ride. By the end, I would hope the response is understanding, satisfaction, and maybe even a tiny twinge of enlightenment.
4) What drew you into this particular genre?
I love to scare the hell out of readers and to scare myself while I’m doing it. Plus horror opens up wonderful opportunities for humor and satire. I love horror. I love suspense. I love humor. Putting all those together in an accessible, conversational style seems natural to me.
5) If you could sit down with any character in your book, what would you ask them and why?
That’s simple. I want to sit down with either the character who calls himself Steve Witowski or with Jonathan O’Ryan. I’d ask either of them the same two questions. What did they learn from what they’ve been through? And what would they do differently if they had the chance to do it all over again.
6) What social media site has been the most helpful in developing your readership?
Most helpful have been the bloggers and podcasters like you, Anthony, who’ve raved about the book. Your followers trust you. They know your track record. So what you and other bloggers and podcasters say has far more weight to your readers than what some unknown critic in a newspaper might say. We’ve got fifteen prominent authors who’ve raved about the book. But if Author Anthony Avina hated it, your readers wouldn’t buy it.
7) What advice would you give to aspiring or just starting authors out there?
Write. Turn on your computer or pick up your pen or finger paint it on the wall, but write. Being a writer is a job and you should treat it that way. Write and then rewrite. Then rewrite again. That’s the only way you get better.
If you wait around for inspiration, you’re still going to be waiting while thousands, literally thousands of other writers, are finishing their books.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I’m currently working on a ghost story. A lawyer has just lost his wife after a marriage so troubled that—though he would hate to admit it—her death was actually a relief. Returning from her funeral, he finds her standing in the middle of their living room. After a moment, he realizes it’s a hologram. But there’s no projector and no sign that anyone has broken in.
Advertisements
About the Author
Barry Maher’s career has been anything but ordinary. He’s been an award-winning (if modestly so) poet, a magazine writer with bylines across the country, a speaker for some of the world’s largest corporations, and a man who once lived literally on the beach, seagulls and all. His syndicated column Slightly Off-Kilter and his darkly comic fiction reflect that same unpredictable spirit. Media appearances range from The Today Show to CNBC, with features in The Wall Street Journal and even Funeral Service Insider. Connect with him at BarryMaher.com or on Facebook.
